Saint Stephen -> | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	1	24m
30d	28	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	2	19m
30d	53	8

Playback	Listens	Hours
48h	35	4
7d	55	9
30d	561	82

352 shows

523 tapes

Billy & the Kids

Playback	Listens	Hours
48h	100	13
7d	318	44
30d	2k	262

Playback	Listens	Hours
48h	5.8k	577
7d	14.2k	1.4k
30d	84.3k	8.5k

Playback	Listens	Hours
48h	85	6
7d	187	13
30d	1.5k	102

62 shows

76 tapes

Blueground Undergrass

105

Playback	Listens	Hours
48h	4	29m
7d	2	7m
30d	105	9

Playback	Listens	Hours
48h	184	21
7d	485	55
30d	2.4k	267

Playback	Listens	Hours
48h	305	39
7d	713	89
30d	4.7k	609

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	1	53m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	15	2
7d	154	23
30d	796	131

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	6

Playback	Listens	Hours
48h	26	2
7d	127	14
30d	1.1k	104

Playback	Listens	Hours
48h	10	1
7d	437	45
30d	1.7k	171

Playback	Listens	Hours
48h	2	6m
7d	37	2
30d	352	19

Playback	Listens	Hours
48h	5	40m
7d	11	1
30d	205	27

Playback	Listens	Hours
48h	55	4
7d	70	5
30d	253	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	6	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	22	2
30d	75	9

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	85	19
7d	247	55
30d	1.7k	367

Playback	Listens	Hours
48h	31	6
7d	10	2
30d	153	27

Playback	Listens	Hours
48h	6	41m
7d	129	10
30d	915	77

Playback	Listens	Hours
48h	25	4
7d	43	7
30d	525	82

Playback	Listens	Hours
48h	316	42
7d	1k	144
30d	4.9k	676

Playback	Listens	Hours
48h	318	42
7d	934	124
30d	6.3k	861

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	46m
30d	24	6

Playback	Listens	Hours
48h	27	3
7d	81	8
30d	244	23

Playback	Listens	Hours
48h	2.4k	389
7d	8.1k	1.2k
30d	40.7k	6.5k

Playback	Listens	Hours
48h	16	2
7d	89	10
30d	401	45

Playback	Listens	Hours
48h	70	4
7d	262	16
30d	1.4k	83

Playback	Listens	Hours
48h	106	13
7d	218	27
30d	1.4k	166

Playback	Listens	Hours
48h	977	211
7d	2.1k	422
30d	12.5k	2.6k

Playback	Listens	Hours
48h	39	4
7d	51	5
30d	265	27

Playback	Listens	Hours
48h	212	30
7d	461	67
30d	3.2k	491

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	12	5
7d	12	2
30d	84	19

Playback	Listens	Hours
48h	113	12
7d	508	52
30d	1.8k	195

Playback	Listens	Hours
48h	26	4
7d	37	5
30d	225	36

Playback	Listens	Hours
48h	188	16
7d	434	37
30d	2.8k	251

Playback	Listens	Hours
48h	22	4
7d	72	11
30d	417	70

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	148	21

Playback	Listens	Hours
48h	90	17
7d	302	57
30d	1.7k	293

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	136	20
7d	387	53
30d	1.8k	246

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	7	2
7d	1	14m
30d	14	5

27 shows

44 tapes

Elliott Smith

Playback	Listens	Hours
48h	83	5
7d	283	16
30d	1k	54

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	1	9m
7d	9	1
30d	78	11

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	5	43m
30d	18	3

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	2	14m
30d	47	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	261	23

Playback	Listens	Hours
48h	16	1
7d	20	1
30d	115	8

Playback	Listens	Hours
48h	1	5m
7d	6	30m
30d	183	14

Playback	Listens	Hours
48h	6	18m
7d	12	43m
30d	113	7

Playback	Listens	Hours
48h	634	95
7d	1.8k	283
30d	9.6k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

616

Playback	Listens	Hours
48h	43	4
7d	70	7
30d	616	54

Playback	Listens	Hours
48h	74	8
7d	335	40
30d	1.3k	149

Playback	Listens	Hours
48h	9	1
7d	17	4
30d	134	18

Playback	Listens	Hours
48h	10	2
7d	19	3
30d	193	38

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	8	1
7d	5	1
30d	34	11

Playback	Listens	Hours
48h	92	11
7d	263	30
30d	1.4k	161

374 shows

509 tapes

Godspeed You Black Emperor!

374

Playback	Listens	Hours
48h	20	4
7d	62	15
30d	374	107

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	0	0m
7d	7	54m
30d	87	9

Playback	Listens	Hours
48h	3.6k	791
7d	11.1k	2.5k
30d	55.5k	11.9k

Playback	Listens	Hours
48h	12	1
7d	27	2
30d	300	27

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	219	30
7d	314	46
30d	1.7k	254

Playback	Listens	Hours
48h	2	19m
7d	37	5
30d	163	22

Playback	Listens	Hours
48h	427	54
7d	832	98
30d	5.8k	691

Playback	Listens	Hours
48h	76	8
7d	87	10
30d	914	105

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	47	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	18	3

Playback	Listens	Hours
48h	66	5
7d	68	5
30d	367	25

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	4	33m
7d	9	40m
30d	75	8

Playback	Listens	Hours
48h	57	9
7d	70	10
30d	327	53

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	5	31m
30d	62	6

Playback	Listens	Hours
48h	13	1
7d	69	8
30d	237	23

674 shows

846 tapes

Infamous Stringdusters

1.3k

Playback	Listens	Hours
48h	106	10
7d	306	29
30d	1.3k	115

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	343	25
7d	982	66
30d	4.9k	331

Playback	Listens	Hours
48h	3	6m
7d	51	4
30d	320	32

365 shows

492 tapes

Jazz Mandolin Project

118

Playback	Listens	Hours
48h	9	1
7d	42	7
30d	118	20

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	94	9

12 shows

14 tapes

Jeff Austin And Friends

146

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	146	15

Playback	Listens	Hours
48h	48	6
7d	168	21
30d	1.3k	178

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.2k

Playback	Listens	Hours
48h	122	20
7d	287	53
30d	2.2k	387

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.5k

Playback	Listens	Hours
48h	197	28
7d	651	87
30d	3.5k	470

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	29	4

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

39.2k

Playback	Listens	Hours
48h	1.9k	341
7d	4.9k	897
30d	39.2k	7.4k

Playback	Listens	Hours
48h	35	3
7d	127	13
30d	745	82

Playback	Listens	Hours
48h	176	15
7d	350	30
30d	2.5k	218

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	5

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	132	9

Playback	Listens	Hours
48h	2	12m
7d	16	1
30d	113	11

73 shows

109 tapes

149

Playback	Listens	Hours
48h	1	27m
7d	5	1
30d	149	22

Playback	Listens	Hours
48h	216	22
7d	518	52
30d	4.2k	410

1,056 shows

1,397 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	32	5
7d	37	5
30d	95	14

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.8k

Playback	Listens	Hours
48h	1.1k	151
7d	2.6k	350
30d	15.8k	2.1k

Playback	Listens	Hours
48h	227	27
7d	373	47
30d	2.1k	281

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	1	11m
7d	7	1
30d	40	6

Playback	Listens	Hours
48h	57	12
7d	71	16
30d	569	112

Playback	Listens	Hours
48h	17	2
7d	82	10
30d	652	77

Playback	Listens	Hours
48h	206	18
7d	527	53
30d	3.7k	341

Playback	Listens	Hours
48h	180	27
7d	460	69
30d	2.9k	481

Playback	Listens	Hours
48h	209	20
7d	921	87
30d	5.2k	477

Playback	Listens	Hours
48h	28	2
7d	205	14
30d	1.4k	105

Playback	Listens	Hours
48h	126	26
7d	260	51
30d	1.6k	303

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	7	33m
7d	19	1
30d	61	5

Playback	Listens	Hours
48h	153	13
7d	350	32
30d	2.1k	198

Playback	Listens	Hours
48h	18	2
7d	16	2
30d	201	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	181	36
7d	543	90
30d	3.6k	563

Playback	Listens	Hours
48h	33	2
7d	29	2
30d	305	20

Playback	Listens	Hours
48h	4	30m
7d	18	2
30d	157	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	3	5m
7d	9	20m
30d	78	2

Playback	Listens	Hours
48h	77	5
7d	177	13
30d	871	60

Playback	Listens	Hours
48h	683	105
7d	1.7k	284
30d	10.1k	1.7k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	10	57m
7d	5	31m
30d	38	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	11	48m
7d	3	16m
30d	89	8

95 shows

121 tapes

My Morning Jacket

Playback	Listens	Hours
48h	140	14
7d	596	61
30d	4k	414

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	55	5
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	4

Playback	Listens	Hours
48h	37	6
7d	140	18
30d	594	82

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	45	8

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	80	7
7d	321	29
30d	1.7k	143

410 shows

598 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	53	4
7d	155	15
30d	1.3k	122

Playback	Listens	Hours
48h	169	19
7d	156	17
30d	948	100

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	22	4
7d	2	28m
30d	137	26

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	3	18m
7d	34	5
30d	81	12

Playback	Listens	Hours
48h	64	12
7d	176	31
30d	1.3k	243

689 shows

920 tapes

Phil Lesh and Friends

15.7k

Playback	Listens	Hours
48h	1.1k	189
7d	3k	535
30d	15.7k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	135	21
7d	238	38
30d	2k	307

Playback	Listens	Hours
48h	259	34
7d	637	84
30d	4.5k	566

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	231	29
7d	614	81
30d	4k	522

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	38	7
7d	58	8
30d	486	65

Playback	Listens	Hours
48h	512	66
7d	1.2k	165
30d	7.2k	943

Playback	Listens	Hours
48h	46	4
7d	174	14
30d	1.6k	133

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	52	4
7d	191	17
30d	2k	161

Playback	Listens	Hours
48h	19	2
7d	352	30
30d	2.1k	181

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	55m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	172	16
7d	708	67
30d	3.8k	356

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	2	16m
7d	20	2
30d	63	7

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	65	9

Playback	Listens	Hours
48h	5	26m
7d	12	1
30d	120	13

Playback	Listens	Hours
48h	74	7
7d	115	10
30d	982	82

Playback	Listens	Hours
48h	197	33
7d	520	80
30d	2.9k	448

Playback	Listens	Hours
48h	87	19
7d	180	40
30d	1.3k	307

Playback	Listens	Hours
48h	8	25m
7d	48	3
30d	296	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	14	2
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	35	3
7d	55	11
30d	647	106

Playback	Listens	Hours
48h	92	21
7d	331	76
30d	1.8k	407

Playback	Listens	Hours
48h	62	7
7d	245	30
30d	1.4k	180

667 shows

1,139 tapes

String Cheese Incident

19.9k

Playback	Listens	Hours
48h	1.2k	202
7d	2.9k	451
30d	19.9k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

108

Playback	Listens	Hours
48h	0	0m
7d	34	4
30d	108	12

Playback	Listens	Hours
48h	2	22m
7d	25	4
30d	177	32

Playback	Listens	Hours
48h	9	1
7d	25	3
30d	170	22

Playback	Listens	Hours
48h	134	15
7d	89	10
30d	728	80

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	745	83
7d	2.1k	226
30d	12.5k	1.4k

Playback	Listens	Hours
48h	6	10m
7d	108	6
30d	256	13

Playback	Listens	Hours
48h	159	21
7d	337	44
30d	1.5k	186

Playback	Listens	Hours
48h	19	2
7d	44	7
30d	320	46

473 shows

627 tapes

The California Honeydrops

404

Playback	Listens	Hours
48h	48	6
7d	126	17
30d	404	52

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	168	21
7d	978	138
30d	3.5k	499

Playback	Listens	Hours
48h	0	0m
7d	30	2
30d	178	15

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	2	21m
7d	7	1
30d	22	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	0	0m
7d	79	13
30d	384	63

Playback	Listens	Hours
48h	9	1
7d	13	1
30d	131	16

Playback	Listens	Hours
48h	261	15
7d	711	39
30d	4.3k	232

Playback	Listens	Hours
48h	27	2
7d	151	11
30d	793	56

Playback	Listens	Hours
48h	15	4
7d	53	10
30d	252	48

Playback	Listens	Hours
48h	63	5
7d	156	14
30d	1.1k	111

Playback	Listens	Hours
48h	109	18
7d	506	74
30d	2.2k	312

Playback	Listens	Hours
48h	297	28
7d	1.4k	138
30d	7.5k	725

Playback	Listens	Hours
48h	14	1
7d	35	3
30d	154	11

Playback	Listens	Hours
48h	107	11
7d	240	23
30d	928	95

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	44m
7d	1	5m
30d	37	7

Playback	Listens	Hours
48h	69	6
7d	119	10
30d	1.1k	120

Playback	Listens	Hours
48h	9	39m
7d	133	9
30d	940	63

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

12 shows

12 tapes

Trey Anastasio

Playback	Listens	Hours
48h	284	36
7d	1.1k	151
30d	6k	877

Playback	Listens	Hours
48h	0	0m
7d	10	58m
30d	120	11

Playback	Listens	Hours
48h	116	16
7d	188	33
30d	1.5k	253

Playback	Listens	Hours
48h	843	129
7d	816	120
30d	5.1k	752

Playback	Listens	Hours
48h	14	55m
7d	29	2
30d	217	19

Playback	Listens	Hours
48h	81	6
7d	219	16
30d	1.3k	96

Playback	Listens	Hours
48h	899	71
7d	2.9k	224
30d	13.9k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	56	5

Playback	Listens	Hours
48h	14.3k	1.7k
7d	34.9k	4.1k
30d	174.3k	20.7k

Playback	Listens	Hours
48h	52	7
7d	232	31
30d	999	146

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.8k

Playback	Listens	Hours
48h	676	65
7d	2.2k	213
30d	11.8k	1.1k

Playback	Listens	Hours
48h	77	14
7d	207	35
30d	1.7k	267

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	104	20
7d	162	28
30d	1.5k	262

461 shows

667 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	5.6k	732
7d	3.4k	467
30d	21.7k	2.9k

Playback	Listens	Hours
48h	460	68
7d	4.2k	527
30d	21.5k	3k

Playback	Listens	Hours
48h	754	100
7d	2k	265
30d	28.6k	3.8k

Playback	Listens	Hours
48h	447	60
7d	1.3k	171
30d	31.4k	4k

Playback	Listens	Hours
48h	1.3k	176
7d	3k	402
30d	43.3k	5.7k

Playback	Listens	Hours
48h	7.9k	1.1k
7d	15.1k	2k
30d	68.9k	9.2k

Playback	Listens	Hours
48h	10.2k	1.4k
7d	27k	3.4k
30d	71.2k	8.9k

Playback	Listens	Hours
48h	1.4k	163
7d	11k	1.4k
30d	46k	5.4k

Playback	Listens	Hours
48h	5.7k	690
7d	13.8k	1.5k
30d	63.9k	7.3k

Playback	Listens	Hours
48h	931	107
7d	6.1k	656
30d	23.5k	2.6k

Playback	Listens	Hours
48h	1.2k	146
7d	4.9k	575
30d	63.5k	7.3k

Playback	Listens	Hours
48h	1.7k	209
7d	15.1k	1.9k
30d	51.5k	6.4k

Playback	Listens	Hours
48h	1.5k	188
7d	3.2k	410
30d	32.9k	4.3k

Playback	Listens	Hours
48h	1.1k	131
7d	3.2k	404
30d	18.7k	2.3k

Playback	Listens	Hours
48h	4.3k	513
7d	19k	2.4k
30d	39.9k	5k

Playback	Listens	Hours
48h	1.9k	219
7d	4.3k	492
30d	53.6k	6.3k

Playback	Listens	Hours
48h	1.4k	195
7d	3.5k	492
30d	25.3k	3.5k

Playback	Listens	Hours
48h	11.5k	1.5k
7d	16.5k	2.1k
30d	45.2k	5.9k

Playback	Listens	Hours
48h	5.3k	754
7d	16.6k	2.3k
30d	109.6k	15.2k

Playback	Listens	Hours
48h	3.4k	459
7d	9.9k	1.3k
30d	139.4k	18.7k

Playback	Listens	Hours
48h	186	19
7d	571	61
30d	5.5k	581

Playback	Listens	Hours
48h	3.4k	445
7d	10.2k	1.3k
30d	97.1k	12.6k

Playback	Listens	Hours
48h	3.4k	434
7d	9.4k	1.2k
30d	82.6k	10.8k

Playback	Listens	Hours
48h	2k	247
7d	6.1k	751
30d	37.7k	4.7k

Playback	Listens	Hours
48h	1.6k	188
7d	4.7k	511
30d	31.1k	3.5k

Playback	Listens	Hours
48h	1.1k	123
7d	2.9k	333
30d	22.9k	2.5k

Playback	Listens	Hours
48h	1.3k	221
7d	6.1k	875
30d	21.8k	3.1k

Playback	Listens	Hours
48h	418	54
7d	913	119
30d	6.1k	784

Playback	Listens	Hours
48h	138	17
7d	389	55
30d	2.1k	296

Playback	Listens	Hours
48h	297	21
7d	1.5k	103
30d	5.6k	398

Playback	Listens	Hours
48h	24	1
7d	75	5
30d	471	29

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	8

403

Playback	Listens	Hours
48h	15	3
7d	54	9
30d	403	61

379

Playback	Listens	Hours
48h	13	2
7d	82	13
30d	379	57

621

Playback	Listens	Hours
48h	33	4
7d	113	14
30d	621	75

393

Playback	Listens	Hours
48h	38	5
7d	69	9
30d	393	48

Playback	Listens	Hours
48h	16	2
7d	127	15
30d	737	87

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

421

Playback	Listens	Hours
48h	9	2
7d	18	3
30d	421	55

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

766

Playback	Listens	Hours
48h	30	4
7d	150	18
30d	766	95

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

302

Playback	Listens	Hours
48h	15	2
7d	60	8
30d	302	41

Playback	Listens	Hours
48h	3	25m
7d	40	6
30d	265	35

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

263

Playback	Listens	Hours
48h	35	4
7d	62	7
30d	263	34

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

806

Playback	Listens	Hours
48h	75	10
7d	155	21
30d	806	111

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

220

Playback	Listens	Hours
48h	20	3
7d	20	3
30d	220	31

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

425

Playback	Listens	Hours
48h	25	4
7d	65	10
30d	425	63

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

156

Playback	Listens	Hours
48h	15	2
7d	36	4
30d	156	19

Playback	Listens	Hours
48h	17	2
7d	102	14
30d	469	65

Playback	Listens	Hours
48h	51	6
7d	50	5
30d	161	18

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

404

Playback	Listens	Hours
48h	37	5
7d	100	15
30d	404	60

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

473

Playback	Listens	Hours
48h	19	2
7d	106	14
30d	473	63

Playback	Listens	Hours
48h	2	27m
7d	25	4
30d	110	18

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

772

Playback	Listens	Hours
48h	3	30m
7d	80	11
30d	772	110

Playback	Listens	Hours
48h	33	5
7d	180	24
30d	1.1k	144

Playback	Listens	Hours
48h	40	5
7d	73	9
30d	471	57

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

351

Playback	Listens	Hours
48h	57	8
7d	75	12
30d	351	56

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

239

Playback	Listens	Hours
48h	12	2
7d	84	12
30d	239	33

Playback	Listens	Hours
48h	105	16
7d	330	47
30d	2.3k	307

13.6k

Playback	Listens	Hours
48h	388	49
7d	1.1k	137
30d	13.6k	1.7k

2.8k

Playback	Listens	Hours
48h	162	25
7d	193	31
30d	2.8k	426

6.5k

Playback	Listens	Hours
48h	191	26
7d	757	103
30d	6.5k	885

Playback	Listens	Hours
48h	41	5
7d	147	17
30d	871	106

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.3k

Playback	Listens	Hours
48h	121	17
7d	290	45
30d	2.3k	344

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.9k

Playback	Listens	Hours
48h	71	10
7d	347	48
30d	1.9k	261

Playback	Listens	Hours
48h	107	15
7d	677	91
30d	3.4k	452

Pembroke Pines, FL, USA

7.5k

Playback	Listens	Hours
48h	241	35
7d	1.2k	166
30d	7.5k	1k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.5k

Playback	Listens	Hours
48h	58	7
7d	244	30
30d	1.5k	185

Playback	Listens	Hours
48h	83	11
7d	264	37
30d	1.9k	270

Playback	Listens	Hours
48h	46	7
7d	171	25
30d	1.4k	202

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

3.7k

Playback	Listens	Hours
48h	126	16
7d	531	68
30d	3.7k	478

Playback	Listens	Hours
48h	84	11
7d	191	27
30d	924	121

Playback	Listens	Hours
48h	102	14
7d	172	21
30d	924	114

Playback	Listens	Hours
48h	33	4
7d	13	1
30d	105	13

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.4k

Playback	Listens	Hours
48h	145	19
7d	505	67
30d	3.4k	456

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

9.5k

Playback	Listens	Hours
48h	473	69
7d	1.6k	229
30d	9.5k	1.4k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.6k

Playback	Listens	Hours
48h	423	69
7d	1.8k	273
30d	8.6k	1.3k

Playback	Listens	Hours
48h	227	34
7d	1.1k	154
30d	5.9k	868

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.5k

Playback	Listens	Hours
48h	205	30
7d	278	45
30d	2.5k	367

Playback	Listens	Hours
48h	142	23
7d	224	37
30d	1.8k	298

Playback	Listens	Hours
48h	22	2
7d	112	13
30d	628	77

Playback	Listens	Hours
48h	51	7
7d	34	5
30d	368	49

Playback	Listens	Hours
48h	27	3
7d	74	8
30d	383	44

Playback	Listens	Hours
48h	20	3
7d	39	6
30d	555	80

Playback	Listens	Hours
48h	42	7
7d	122	19
30d	766	117

Playback	Listens	Hours
48h	13	2
7d	21	2
30d	175	22

Playback	Listens	Hours
48h	15	2
7d	35	4
30d	454	51

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.1k

Playback	Listens	Hours
48h	128	18
7d	553	77
30d	3.1k	425

Philadelphia, PA, USA

771

Playback	Listens	Hours
48h	62	10
7d	140	23
30d	771	124

806

Playback	Listens	Hours
48h	109	15
7d	160	22
30d	806	112

831

Playback	Listens	Hours
48h	52	7
7d	138	23
30d	831	129

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	35	5
7d	192	28
30d	1.5k	210

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	10

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

439

Playback	Listens	Hours
48h	29	4
7d	42	5
30d	439	54

San Bernardino, CA, USA

4.5k

Playback	Listens	Hours
48h	272	38
7d	871	119
30d	4.5k	611

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

116

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	116	15

Playback	Listens	Hours
48h	6	29m
7d	38	4
30d	257	30

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive