1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	13	60m
30d	26	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	36	5
7d	119	18
30d	528	75

Playback	Listens	Hours
48h	87	11
7d	379	51
30d	2.2k	292

Playback	Listens	Hours
48h	5.5k	551
7d	15.4k	1.5k
30d	88.6k	8.8k

Playback	Listens	Hours
48h	73	5
7d	370	27
30d	1.6k	114

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	53	4
30d	94	8

Playback	Listens	Hours
48h	147	15
7d	441	51
30d	2.4k	274

Playback	Listens	Hours
48h	325	45
7d	928	123
30d	5.2k	686

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	20	3
7d	146	23
30d	1.1k	184

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	5	30m
7d	4	40m
30d	62	7

Playback	Listens	Hours
48h	118	11
7d	181	17
30d	1.2k	115

Playback	Listens	Hours
48h	116	13
7d	294	31
30d	1.2k	125

Playback	Listens	Hours
48h	61	3
7d	152	8
30d	376	20

Playback	Listens	Hours
48h	28	3
7d	34	5
30d	238	33

Playback	Listens	Hours
48h	30	2
7d	41	3
30d	265	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	1	17m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	135	30
7d	403	85
30d	1.7k	351

Playback	Listens	Hours
48h	4	42m
7d	45	7
30d	287	54

Playback	Listens	Hours
48h	41	3
7d	193	16
30d	777	66

Playback	Listens	Hours
48h	71	10
7d	68	10
30d	546	81

Playback	Listens	Hours
48h	476	66
7d	980	129
30d	4.2k	581

Playback	Listens	Hours
48h	524	69
7d	1.3k	179
30d	6.5k	904

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	23	6

Playback	Listens	Hours
48h	1	5m
7d	24	3
30d	188	17

Playback	Listens	Hours
48h	2.6k	416
7d	7.1k	1.2k
30d	40.3k	6.5k

Playback	Listens	Hours
48h	45	5
7d	80	8
30d	325	36

Playback	Listens	Hours
48h	63	4
7d	245	16
30d	1.2k	75

Playback	Listens	Hours
48h	32	5
7d	273	32
30d	1.5k	185

Playback	Listens	Hours
48h	780	159
7d	2.4k	486
30d	13.2k	2.8k

Playback	Listens	Hours
48h	27	3
7d	94	10
30d	267	28

Playback	Listens	Hours
48h	214	33
7d	633	100
30d	3.3k	513

Playback	Listens	Hours
48h	1	43m
7d	4	34m
30d	108	25

Playback	Listens	Hours
48h	43	5
7d	308	34
30d	1.7k	176

Playback	Listens	Hours
48h	19	3
7d	38	6
30d	264	42

Playback	Listens	Hours
48h	116	10
7d	320	30
30d	3.1k	274

Playback	Listens	Hours
48h	36	6
7d	119	20
30d	454	77

Playback	Listens	Hours
48h	22	3
7d	42	7
30d	160	22

Playback	Listens	Hours
48h	67	12
7d	281	48
30d	1.8k	299

151 shows

291 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	111	14
7d	314	44
30d	1.7k	242

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	12	5

Playback	Listens	Hours
48h	118	6
7d	187	10
30d	767	42

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	84	12

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	40	10

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	98	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	73	5
7d	39	3
30d	294	32

Playback	Listens	Hours
48h	0	0m
7d	45	3
30d	108	7

Playback	Listens	Hours
48h	1	4m
7d	23	2
30d	191	15

Playback	Listens	Hours
48h	4	17m
7d	2	5m
30d	156	10

Playback	Listens	Hours
48h	634	98
7d	2.1k	324
30d	9.9k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

650

Playback	Listens	Hours
48h	64	5
7d	97	8
30d	650	57

Playback	Listens	Hours
48h	52	6
7d	249	26
30d	1.2k	134

Playback	Listens	Hours
48h	13	1
7d	27	4
30d	141	18

Playback	Listens	Hours
48h	15	3
7d	51	9
30d	272	58

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	7m
7d	10	1
30d	17	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	7	1
7d	3	1
30d	54	13

Playback	Listens	Hours
48h	79	9
7d	270	31
30d	1.2k	143

374 shows

508 tapes

Godspeed You Black Emperor!

429

Playback	Listens	Hours
48h	12	4
7d	44	13
30d	429	120

Playback	Listens	Hours
48h	5	49m
7d	7	1
30d	109	14

Playback	Listens	Hours
48h	4.7k	1k
7d	12.1k	2.6k
30d	46.7k	9.8k

Playback	Listens	Hours
48h	23	2
7d	84	8
30d	318	28

363 shows

589 tapes

Grahame Lesh and Friends

1.9k

Playback	Listens	Hours
48h	60	10
7d	424	65
30d	1.9k	282

Playback	Listens	Hours
48h	0	0m
7d	42	6
30d	124	17

Playback	Listens	Hours
48h	381	47
7d	911	107
30d	6.2k	727

875 shows

1,454 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	52	5
7d	235	29
30d	1k	117

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	12	2
7d	21	4
30d	33	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	2	7m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	3	40m
7d	4	31m
30d	23	3

Playback	Listens	Hours
48h	60	5
7d	44	3
30d	354	24

755 shows

1,036 tapes

Hard Working Americans

136

Playback	Listens	Hours
48h	2	14m
7d	19	2
30d	136	15

Playback	Listens	Hours
48h	12	2
7d	67	12
30d	409	69

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	24	2
30d	47	4

Playback	Listens	Hours
48h	15	1
7d	7	58m
30d	229	23

674 shows

846 tapes

Infamous Stringdusters

1.4k

Playback	Listens	Hours
48h	89	8
7d	181	17
30d	1.4k	134

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	11	2

Playback	Listens	Hours
48h	286	20
7d	711	47
30d	4.9k	324

Playback	Listens	Hours
48h	7	1
7d	73	8
30d	290	30

364 shows

491 tapes

Jazz Mandolin Project

101

Playback	Listens	Hours
48h	18	2
7d	9	2
30d	101	17

222 shows

280 tapes

Jeff Austin and Chris Castino

153

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	153	14

12 shows

14 tapes

Jeff Austin And Friends

161

Playback	Listens	Hours
48h	9	55m
7d	30	3
30d	161	16

Playback	Listens	Hours
48h	34	4
7d	282	42
30d	1.4k	188

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	89	18
7d	368	65
30d	2.6k	433

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.9k

Playback	Listens	Hours
48h	275	38
7d	696	96
30d	3.9k	547

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	3	23m
7d	5	47m
30d	15	2

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

42.5k

Playback	Listens	Hours
48h	2k	366
7d	6.5k	1.2k
30d	42.5k	8k

Playback	Listens	Hours
48h	59	6
7d	145	17
30d	674	77

Playback	Listens	Hours
48h	193	17
7d	308	28
30d	2.4k	216

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	3	42m
7d	5	29m
30d	37	4

Playback	Listens	Hours
48h	0	0m
7d	7	29m
30d	113	8

Playback	Listens	Hours
48h	3	12m
7d	40	4
30d	100	10

73 shows

109 tapes

174

Playback	Listens	Hours
48h	2	28m
7d	22	3
30d	174	24

Playback	Listens	Hours
48h	273	27
7d	799	83
30d	4.6k	441

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	6	55m
7d	15	2
30d	76	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16k

Playback	Listens	Hours
48h	1k	150
7d	2.9k	392
30d	16k	2.1k

Playback	Listens	Hours
48h	145	19
7d	377	54
30d	1.8k	250

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	60	9

Playback	Listens	Hours
48h	54	10
7d	175	34
30d	680	132

Playback	Listens	Hours
48h	42	5
7d	137	17
30d	893	106

Playback	Listens	Hours
48h	239	21
7d	713	69
30d	3.8k	354

Playback	Listens	Hours
48h	192	27
7d	639	99
30d	3.2k	540

Playback	Listens	Hours
48h	337	30
7d	856	78
30d	5.8k	538

Playback	Listens	Hours
48h	163	12
7d	332	27
30d	1.4k	112

Playback	Listens	Hours
48h	101	20
7d	329	65
30d	1.5k	273

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	14	55m
7d	0	0m
30d	70	6

Playback	Listens	Hours
48h	110	10
7d	467	44
30d	2.3k	218

Playback	Listens	Hours
48h	5	26m
7d	33	3
30d	236	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	230	35
7d	628	100
30d	4.1k	644

Playback	Listens	Hours
48h	4	17m
7d	20	1
30d	358	22

Playback	Listens	Hours
48h	42	4
7d	71	7
30d	208	21

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	1	2m
7d	8	15m
30d	78	2

Playback	Listens	Hours
48h	75	5
7d	131	9
30d	965	67

Playback	Listens	Hours
48h	552	92
7d	2k	323
30d	10.5k	1.7k

1,988 shows

4,488 tapes

Mogwai

Playback	Listens	Hours
48h	5	28m
7d	7	34m
30d	40	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	117	10

Playback	Listens	Hours
48h	236	26
7d	654	68
30d	4.7k	482

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	54	5

Playback	Listens	Hours
48h	85	11
7d	110	15
30d	560	79

138 shows

250 tapes

Nels Cline

Playback	Listens	Hours
48h	4	1
7d	2	9m
30d	27	5

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	68	6
7d	316	28
30d	1.8k	150

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	99	10
7d	310	30
30d	1.3k	129

Playback	Listens	Hours
48h	78	7
7d	181	19
30d	892	95

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	3	52m
7d	48	9
30d	151	27

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	5	42m
7d	8	58m
30d	98	14

Playback	Listens	Hours
48h	82	15
7d	272	51
30d	1.5k	283

689 shows

920 tapes

Phil Lesh and Friends

15.1k

Playback	Listens	Hours
48h	874	151
7d	2.5k	434
30d	15.1k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.1k

Playback	Listens	Hours
48h	157	23
7d	387	63
30d	2.1k	322

Playback	Listens	Hours
48h	353	39
7d	846	107
30d	4.4k	568

292 shows

433 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	377	53
7d	577	74
30d	4.2k	549

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	5	16m
7d	0	0m
30d	4	19m

Playback	Listens	Hours
48h	26	4
7d	64	8
30d	496	64

Playback	Listens	Hours
48h	467	59
7d	1.3k	174
30d	7.2k	957

Playback	Listens	Hours
48h	173	15
7d	382	33
30d	1.5k	120

Playback	Listens	Hours
48h	118	9
7d	513	38
30d	1.9k	156

Playback	Listens	Hours
48h	194	17
7d	425	35
30d	2.3k	197

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	10	2

77 shows

96 tapes

Sam Grisman Project

Playback	Listens	Hours
48h	182	18
7d	718	68
30d	4k	376

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	12	2
7d	11	1
30d	30	3

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	27	5
30d	80	11

Playback	Listens	Hours
48h	11	1
7d	6	53m
30d	121	14

Playback	Listens	Hours
48h	38	4
7d	108	10
30d	1.2k	101

Playback	Listens	Hours
48h	205	28
7d	649	103
30d	2.9k	462

Playback	Listens	Hours
48h	75	18
7d	256	58
30d	1.4k	338

Playback	Listens	Hours
48h	10	39m
7d	33	2
30d	285	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	4

Playback	Listens	Hours
48h	61	7
7d	150	21
30d	708	117

Playback	Listens	Hours
48h	126	28
7d	335	77
30d	1.8k	409

Playback	Listens	Hours
48h	88	12
7d	277	40
30d	1.7k	231

667 shows

1,139 tapes

String Cheese Incident

20.7k

Playback	Listens	Hours
48h	1.2k	200
7d	4.3k	714
30d	20.7k	3.4k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

104

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	104	11

Playback	Listens	Hours
48h	6	59m
7d	14	3
30d	250	46

Playback	Listens	Hours
48h	19	3
7d	30	4
30d	158	21

Playback	Listens	Hours
48h	25	3
7d	108	13
30d	758	81

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	13	1

Playback	Listens	Hours
48h	765	86
7d	2.7k	296
30d	12.8k	1.5k

Playback	Listens	Hours
48h	2	3m
7d	65	3
30d	152	8

Playback	Listens	Hours
48h	136	17
7d	275	35
30d	1.7k	207

Playback	Listens	Hours
48h	39	5
7d	51	7
30d	346	52

473 shows

627 tapes

The California Honeydrops

433

Playback	Listens	Hours
48h	19	2
7d	56	9
30d	433	56

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	252	39
7d	804	113
30d	2.9k	413

Playback	Listens	Hours
48h	8	47m
7d	65	5
30d	305	27

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	24	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	6	35m
30d	24	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	39	7
7d	55	9
30d	359	59

Playback	Listens	Hours
48h	9	1
7d	9	51m
30d	127	15

Playback	Listens	Hours
48h	364	20
7d	905	46
30d	3.1k	168

Playback	Listens	Hours
48h	40	3
7d	231	15
30d	936	66

Playback	Listens	Hours
48h	8	2
7d	19	5
30d	216	44

Playback	Listens	Hours
48h	142	15
7d	255	26
30d	1.1k	115

Playback	Listens	Hours
48h	273	39
7d	326	48
30d	1.7k	254

Playback	Listens	Hours
48h	586	56
7d	1.9k	180
30d	7.3k	714

1,453 shows

1,652 tapes

The Walkmen

Playback	Listens	Hours
48h	23	2
7d	40	3
30d	90	6

Playback	Listens	Hours
48h	54	6
7d	153	17
30d	825	84

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	6	1
7d	21	4
30d	30	6

Playback	Listens	Hours
48h	101	11
7d	233	25
30d	1.5k	157

223 shows

285 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	45	3
7d	229	16
30d	1k	67

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	303	53
7d	980	153
30d	7.1k	1k

Playback	Listens	Hours
48h	0	0m
7d	75	7
30d	124	12

Playback	Listens	Hours
48h	98	18
7d	366	56
30d	1.7k	277

Playback	Listens	Hours
48h	393	57
7d	1.1k	162
30d	5.1k	762

Playback	Listens	Hours
48h	0	0m
7d	33	3
30d	244	22

Playback	Listens	Hours
48h	35	2
7d	253	18
30d	1.5k	111

Playback	Listens	Hours
48h	1.1k	86
7d	2.5k	202
30d	13.3k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	72	7

Playback	Listens	Hours
48h	16.8k	1.9k
7d	33.7k	4k
30d	149k	17.6k

Playback	Listens	Hours
48h	44	8
7d	193	32
30d	864	133

1,416 shows

2,242 tapes

Yonder Mountain String Band

12k

Playback	Listens	Hours
48h	874	79
7d	2.7k	264
30d	12k	1.1k

Playback	Listens	Hours
48h	147	24
7d	375	63
30d	1.5k	229

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	46	9
7d	215	37
30d	1.6k	291

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	17m
30d	13	2

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.3k	174
7d	5.5k	735
30d	27.2k	3.6k

Playback	Listens	Hours
48h	625	93
7d	3.8k	555
30d	18k	2.6k

Playback	Listens	Hours
48h	906	120
7d	5.3k	728
30d	37.4k	4.9k

Playback	Listens	Hours
48h	4.2k	530
7d	5.3k	648
30d	33.2k	4.2k

Playback	Listens	Hours
48h	1.8k	234
7d	8.7k	1.2k
30d	59.2k	7.9k

Playback	Listens	Hours
48h	2.7k	350
7d	12.9k	1.7k
30d	67.4k	8.8k

Playback	Listens	Hours
48h	2.1k	264
7d	8k	1k
30d	48.9k	6.1k

Playback	Listens	Hours
48h	3.3k	400
7d	8.8k	1k
30d	32.7k	3.8k

Playback	Listens	Hours
48h	3.6k	410
7d	12.6k	1.4k
30d	57k	6.4k

Playback	Listens	Hours
48h	3.9k	427
7d	2.9k	326
30d	15.4k	1.7k

Playback	Listens	Hours
48h	4.2k	488
7d	18.1k	2k
30d	51.1k	5.8k

Playback	Listens	Hours
48h	3.3k	413
7d	10k	1.3k
30d	36.2k	4.5k

Playback	Listens	Hours
48h	2.1k	281
7d	9.3k	1.2k
30d	33.4k	4.4k

Playback	Listens	Hours
48h	1.1k	138
7d	3.4k	418
30d	20.3k	2.5k

Playback	Listens	Hours
48h	1.2k	146
7d	4k	516
30d	26.3k	3.3k

Playback	Listens	Hours
48h	3.1k	373
7d	6.5k	751
30d	65.7k	7.6k

Playback	Listens	Hours
48h	1.7k	235
7d	4.4k	626
30d	21.5k	3k

Playback	Listens	Hours
48h	1.5k	203
7d	10k	1.3k
30d	40.9k	5.4k

Playback	Listens	Hours
48h	6k	837
7d	19.2k	2.7k
30d	154.6k	21.4k

Playback	Listens	Hours
48h	11.6k	1.5k
7d	21.3k	2.9k
30d	149.6k	20.3k

Playback	Listens	Hours
48h	336	33
7d	747	78
30d	7.2k	742

Playback	Listens	Hours
48h	7.6k	1k
7d	22.5k	2.9k
30d	97.9k	12.6k

Playback	Listens	Hours
48h	5.7k	747
7d	15.5k	1.9k
30d	79k	10.4k

Playback	Listens	Hours
48h	2.1k	265
7d	7k	872
30d	41.4k	5.2k

Playback	Listens	Hours
48h	1.4k	159
7d	4.4k	491
30d	29.3k	3.3k

Playback	Listens	Hours
48h	1.3k	138
7d	6.8k	701
30d	39.1k	4.1k

Playback	Listens	Hours
48h	1.2k	165
7d	4.2k	551
30d	24.8k	3.6k

Playback	Listens	Hours
48h	303	41
7d	989	121
30d	7.4k	938

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	170	21
7d	279	44
30d	2k	286

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	267	16
7d	685	47
30d	5k	333

Playback	Listens	Hours
48h	19	1
7d	84	5
30d	533	32

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	9

369

Playback	Listens	Hours
48h	22	3
7d	67	10
30d	369	57

377

Playback	Listens	Hours
48h	21	3
7d	39	6
30d	377	57

692

Playback	Listens	Hours
48h	44	6
7d	100	12
30d	692	85

417

Playback	Listens	Hours
48h	50	5
7d	110	13
30d	417	51

Playback	Listens	Hours
48h	61	7
7d	102	12
30d	751	90

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

528

Playback	Listens	Hours
48h	41	6
7d	106	13
30d	528	63

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

721

Playback	Listens	Hours
48h	91	11
7d	127	16
30d	721	90

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

342

Playback	Listens	Hours
48h	9	1
7d	93	13
30d	342	45

Playback	Listens	Hours
48h	21	3
7d	76	10
30d	191	26

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

311

Playback	Listens	Hours
48h	11	2
7d	25	4
30d	311	40

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

816

Playback	Listens	Hours
48h	80	10
7d	66	9
30d	816	113

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

241

Playback	Listens	Hours
48h	1	7m
7d	56	8
30d	241	33

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

478

Playback	Listens	Hours
48h	38	6
7d	60	9
30d	478	71

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

162

Playback	Listens	Hours
48h	5	32m
7d	38	5
30d	162	22

Playback	Listens	Hours
48h	23	3
7d	43	6
30d	481	68

Playback	Listens	Hours
48h	14	2
7d	29	3
30d	166	19

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

375

Playback	Listens	Hours
48h	46	7
7d	54	7
30d	375	54

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

418

Playback	Listens	Hours
48h	39	5
7d	71	9
30d	418	54

Playback	Listens	Hours
48h	2	19m
7d	28	4
30d	130	21

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

703

Playback	Listens	Hours
48h	47	7
7d	114	16
30d	703	101

Playback	Listens	Hours
48h	67	9
7d	164	22
30d	1.1k	151

Playback	Listens	Hours
48h	22	3
7d	91	11
30d	520	63

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

423

Playback	Listens	Hours
48h	13	2
7d	47	8
30d	423	68

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

168

Playback	Listens	Hours
48h	22	3
7d	42	6
30d	168	23

Playback	Listens	Hours
48h	267	36
7d	512	69
30d	2.3k	306

18.3k

Playback	Listens	Hours
48h	559	73
7d	1.4k	187
30d	18.3k	2.3k

8.5k

Playback	Listens	Hours
48h	68	11
7d	435	68
30d	8.5k	1.3k

17.5k

Playback	Listens	Hours
48h	262	36
7d	1.2k	158
30d	17.5k	2.4k

Playback	Listens	Hours
48h	1	7m
7d	126	16
30d	9k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

4.5k

Playback	Listens	Hours
48h	99	16
7d	531	81
30d	4.5k	668

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

2.5k

Playback	Listens	Hours
48h	84	12
7d	397	54
30d	2.5k	336

Playback	Listens	Hours
48h	156	21
7d	502	66
30d	4.2k	559

Pembroke Pines, FL, USA

9.2k

Playback	Listens	Hours
48h	415	58
7d	1.2k	160
30d	9.2k	1.3k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.9k

Playback	Listens	Hours
48h	80	10
7d	214	26
30d	1.9k	240

Playback	Listens	Hours
48h	182	25
7d	368	49
30d	2.1k	295

Playback	Listens	Hours
48h	174	25
7d	232	33
30d	1.4k	204

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

5.2k

Playback	Listens	Hours
48h	253	32
7d	747	96
30d	5.2k	680

Playback	Listens	Hours
48h	98	13
7d	234	30
30d	961	127

Playback	Listens	Hours
48h	67	9
7d	179	22
30d	999	123

Playback	Listens	Hours
48h	5	41m
7d	26	4
30d	177	22

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

4.2k

Playback	Listens	Hours
48h	270	37
7d	761	101
30d	4.2k	561

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

11.6k

Playback	Listens	Hours
48h	434	63
7d	1.8k	259
30d	11.6k	1.7k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

9.3k

Playback	Listens	Hours
48h	552	89
7d	1.3k	208
30d	9.3k	1.4k

Playback	Listens	Hours
48h	320	48
7d	1.1k	154
30d	7.2k	1.1k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	124	19
7d	715	95
30d	2.9k	422

Playback	Listens	Hours
48h	130	21
7d	345	56
30d	2.4k	393

Playback	Listens	Hours
48h	33	4
7d	172	22
30d	616	75

Playback	Listens	Hours
48h	9	1
7d	53	7
30d	515	68

Playback	Listens	Hours
48h	46	6
7d	131	16
30d	407	48

Playback	Listens	Hours
48h	13	2
7d	155	22
30d	644	94

Playback	Listens	Hours
48h	26	5
7d	232	36
30d	924	143

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	174	22

Playback	Listens	Hours
48h	5	31m
7d	94	11
30d	616	69

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.3k

Playback	Listens	Hours
48h	206	27
7d	573	78
30d	3.3k	469

Philadelphia, PA, USA

900

Playback	Listens	Hours
48h	21	4
7d	93	13
30d	900	144

Playback	Listens	Hours
48h	14	2
7d	96	14
30d	1k	138

977

Playback	Listens	Hours
48h	27	4
7d	157	24
30d	977	151

Robertson Gym, UC Santa Barbara

1.6k

Playback	Listens	Hours
48h	177	24
7d	406	56
30d	1.6k	225

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	80	17

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

450

Playback	Listens	Hours
48h	42	6
7d	100	12
30d	450	55

San Bernardino, CA, USA

4.7k

Playback	Listens	Hours
48h	202	28
7d	823	113
30d	4.7k	644

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

132

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	132	17

Playback	Listens	Hours
48h	26	3
7d	56	6
30d	318	37

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive