1989-10-09 | Grateful Dead

572

Playback	Listens	Hours
48h	56	8
7d	98	13
30d	572	75

5:39:09

17 tapes

12/30SBD

236

Playback	Listens	Hours
48h	4	27m
7d	51	7
30d	236	30

2:51:09

15 tapes

12/28SBD

155

Playback	Listens	Hours
48h	19	2
7d	42	5
30d	155	19

2:36:17

15 tapes

12/27SBD

280

Playback	Listens	Hours
48h	35	4
7d	60	7
30d	280	34

2:44:54

16 tapes

12/10SBD

184

Playback	Listens	Hours
48h	3	31m
7d	43	5
30d	184	23

5:11:22

16 tapes

12/09SBD

120

Playback	Listens	Hours
48h	4	48m
7d	13	2
30d	120	15

2:32:27

11 tapes

12/08SBD

177

Playback	Listens	Hours
48h	6	47m
7d	4	30m
30d	177	23

5:21:35

12/06SBD

141

Playback	Listens	Hours
48h	8	1
7d	4	41m
30d	141	20

Playback	Listens	Hours
48h	15	3
7d	32	7
30d	252	49

Playback	Listens	Hours
48h	14	2
7d	23	3
30d	109	15

Playback	Listens	Hours
48h	2	18m
7d	26	3
30d	140	18

Playback	Listens	Hours
48h	1	15m
7d	11	1
30d	74	10

253

Playback	Listens	Hours
48h	15	2
7d	51	7
30d	253	34

534

Playback	Listens	Hours
48h	25	3
7d	64	7
30d	534	56

130

Playback	Listens	Hours
48h	5	55m
7d	26	4
30d	130	18

306

Playback	Listens	Hours
48h	39	5
7d	104	14
30d	306	39

179

Playback	Listens	Hours
48h	5	36m
7d	9	1
30d	179	23

190

Playback	Listens	Hours
48h	24	3
7d	9	1
30d	190	22

161

Playback	Listens	Hours
48h	3	27m
7d	2	15m
30d	161	21

239

Playback	Listens	Hours
48h	14	2
7d	53	7
30d	239	31

Playback	Listens	Hours
48h	23	3
7d	69	8
30d	804	109

Playback	Listens	Hours
48h	20	3
7d	47	6
30d	467	54

5:02:28

18 tapes

10/01SBD

476

Playback	Listens	Hours
48h	30	4
7d	44	6
30d	476	60

2:36:21

8 tapes

9/30SBD

126

Playback	Listens	Hours
48h	14	2
7d	11	2
30d	126	17

2:20:25

9/29SBD

Alpine Valley Music Theatre

263

Playback	Listens	Hours
48h	33	4
7d	28	4
30d	263	33

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	28	3
7d	70	8
30d	487	55

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	4

Playback	Listens	Hours
48h	27	4
7d	45	7
30d	215	30

Playback	Listens	Hours
48h	6	53m
7d	57	8
30d	328	43

Playback	Listens	Hours
48h	25	3
7d	35	5
30d	123	17

Playback	Listens	Hours
48h	11	2
7d	74	11
30d	451	64

Playback	Listens	Hours
48h	2	13m
7d	52	7
30d	357	48

Playback	Listens	Hours
48h	1	9m
7d	34	4
30d	415	44

2:45:58

9 tapes

7/19SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	89	13
7d	267	38
30d	1.7k	244

5:33:06

17 tapes

7/18SBD

Alpine Valley Music Theatre

East Troy, WI, USA

916

Playback	Listens	Hours
48h	22	3
7d	175	19
30d	916	106

5:08:53

14 tapes

7/17SBD

Alpine Valley Music Theatre

East Troy, WI, USA

2.7k

Playback	Listens	Hours
48h	53	6
7d	474	55
30d	2.7k	305

2:49:35

16 tapes

7/15SBD

Deer Creek Music Center

Noblesville, IN, USA

360

Playback	Listens	Hours
48h	20	3
7d	141	20
30d	360	49

Playback	Listens	Hours
48h	12	2
7d	37	6
30d	203	31

Playback	Listens	Hours
48h	27	4
7d	40	5
30d	410	53

503

Playback	Listens	Hours
48h	80	10
7d	120	15
30d	503	64

757

Playback	Listens	Hours
48h	61	9
7d	159	22
30d	757	106

2:50:34

18 tapes

7/07SBD

John F Kennedy Stadium

2.4k

Playback	Listens	Hours
48h	150	22
7d	279	40
30d	2.4k	348

Playback	Listens	Hours
48h	571	67
7d	591	70
30d	2.3k	279

Playback	Listens	Hours
48h	4.9k	612
7d	324	42
30d	1.2k	146

2:44:28

21 tapes

6/21SBD

4.1k

Playback	Listens	Hours
48h	69	9
7d	375	48
30d	4.1k	510

3:16:36

13 tapes

6/19SBD

3.5k

Playback	Listens	Hours
48h	59	8
7d	96	12
30d	3.5k	447

3:03:42

9 tapes

6/18SBD

3.1k

Playback	Listens	Hours
48h	14	2
7d	51	7
30d	3.1k	425

3:04:24

Oakland-Alameda County Stadium

5/27SBD

1.1k

Playback	Listens	Hours
48h	35	4
7d	117	14
30d	1.1k	137

Playback	Listens	Hours
48h	3	24m
7d	105	12
30d	396	46

Playback	Listens	Hours
48h	57	6
7d	134	14
30d	757	78

Playback	Listens	Hours
48h	8	57m
7d	66	8
30d	214	26

Playback	Listens	Hours
48h	20	2
7d	69	9
30d	437	54

Playback	Listens	Hours
48h	12	1
7d	33	4
30d	366	43

2:40:47

Metropolitan Sports Center

4/17SBD

Minneapolis, MN, USA

243

Playback	Listens	Hours
48h	4	29m
7d	42	5
30d	243	28

Playback	Listens	Hours
48h	89	11
7d	197	24
30d	563	70

Playback	Listens	Hours
48h	108	13
7d	301	35
30d	498	57

Playback	Listens	Hours
48h	17	2
7d	29	4
30d	371	41

Playback	Listens	Hours
48h	16	2
7d	28	3
30d	379	42

Playback	Listens	Hours
48h	4	42m
7d	52	7
30d	336	46

Playback	Listens	Hours
48h	39	4
7d	149	18
30d	1k	123

Playback	Listens	Hours
48h	18	2
7d	22	3
30d	892	100

Playback	Listens	Hours
48h	53	7
7d	63	8
30d	494	59

Playback	Listens	Hours
48h	53	7
7d	113	14
30d	1.1k	149

Playback	Listens	Hours
48h	4	35m
7d	33	4
30d	456	48

Playback	Listens	Hours
48h	41	4
7d	57	6
30d	465	49

Playback	Listens	Hours
48h	54	6
7d	47	5
30d	559	63

Playback	Listens	Hours
48h	40	5
7d	74	9
30d	496	65

Playback	Listens	Hours
48h	38	5
7d	148	19
30d	533	67

Playback	Listens	Hours
48h	47	6
7d	63	8
30d	359	46

2:33:19

Club Front - Grateful Dead Studio

3/01SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	2

1:26:05

1 tape

2/12SBD

289

Playback	Listens	Hours
48h	5	37m
7d	54	7
30d	289	34

2:41:03

13 tapes

2/11SBD

376

Playback	Listens	Hours
48h	57	7
7d	91	11
30d	376	46

2:44:52

2/10SBD

Henry J. Kaiser Convention Center

393

Playback	Listens	Hours
48h	26	4
7d	64	9
30d	393	53

2:40:26

12 tapes

2/07SBD

Henry J. Kaiser Convention Center

606

Playback	Listens	Hours
48h	13	2
7d	93	11
30d	606	74

2:39:25

7 tapes

2/06SBD

Henry J. Kaiser Convention Center

418

Playback	Listens	Hours
48h	33	4
7d	143	17
30d	418	47

2:28:06

8 tapes

2/05SBD

Ante Up - Built to Last interview

1.3k

Playback	Listens	Hours
48h	62	8
7d	219	27
30d	1.3k	152

2:31:14

17 tapes

1/01

Various, Various

Playback	Listens	Hours
48h	0	0m
7d	22	40m
30d	49	2

23:08

1 tape

Sources

Taper: Don Pearson

gd1989-10-09.147621.UltraMatrix.sbd.cm.miller.flac16

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

gd1989-10-09.147611.ultramatrix.sbd.pearson.miller.flac24

View NotesNotes:
-- Recorded by Don Pearson
-- Billed as 'Formerly The Warlocks'
-- Tape flips and Encore patched with a Dat Master
-- This file set is 16 bit @ 44.1

Taper: Don Pearson

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

gd1989-10-09.sbd.miller.80840.sbeok.flac16

View NotesNotes:
-- Recorded by Don Pearson
-- Billed as 'Formerly The Warlocks'
-- Tape flips and Encore patched with a Dat Master

Transferrer: Charlie Miller

SBD -> Dat (48k) D

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

gd1989-10-09.sbd.miller.32902.sbeok.flac16

View NotesPatch Info:
The following songs were patched from Cassette Master SBD
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
Notes:
-- This has an upgraded patch source
-- Discs 2 and 3 can be re-joined seamlessly
-- Feel Like A Stranger appears on Without A Net

Transferrer: Charlie Miller

SBD -> Dat (48k) D

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

View NotesPatch Info:
The following songs were patched from SBD>Cm>Dat>CD>Samplitude>WAV
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
There is also a patch in Row Jimmy from 0:09 - 0:15 from
Schoeps CMC4/MK21>Dat>SEK'D Prodif32>Sound Forge>CD>Samplitude>WAV
Notes:
-- Discs 2 and 3 can be re-joined seamlessly
-- Parts of Row Jimmy mono due channel loss in left channel
-- Feel Like A Stranger appears on Without A Net

Transferrer: Matrix by Kevin Tobin

2:55:30

SBD

Matrix by Kevin Tobin

gd1989-10-09.154041.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1989-10-09.mtx.v2.haugh.92495.flac16

View Notes- Mixed by kevtobin@yahoo.com
- FLAC conversion 21-OCT-2021 - Trader Little Helper
- Tagged 21-OCT-2021 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: See Notes

SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)

gd1989-10-09.mtx.dan.26236.sbeok.shnf

See Notes

Transferrer: Dan Haugh

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

gd89-10-09.sbd.serafin.7721.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: PCM (analog out) > DAT x 4 > CDR

AUD
FOB: Schoeps CMC641 > DAT 

---------------------------------------------------------

Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch both of the sources. This is a 60% SBD, 40% AUD mix.    
- Mixed by dan@am-dig.com
- Shn conversion 8-SEP-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
- Special thanks to "For Your Eyes Only" for images used
in this artwork.

---------------------------------------------------------

Notes

I performed a 'light NR' to the SBD source.

Disc 2 and 3 can be assembled seamlessly on longer media.

38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on 
SBD source.  Patched 25.117 using the AUD.  This patch was 
EQ'ed & levels raised +3db.  Source change from SBD to
AUD is obvious to the listener.

48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.400 seconds of left channel.  The result is smooth and 
most likely undetectable.

49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.510 seconds of left channel.  The result is smooth and 
most likely undetectable.

50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.113 seconds of left channel.  The result is smooth and 
most likely undetectable.

Between Jack-A-Roe and Memphis Blues the AUD was missing
37.221 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

59:52.730 - 59:59.107 Drums missing on SBD source.  Patched 
6.377 using the AUD.  This patch was EQ'ed & levels raised 
+3db.  The result is smooth and most likely undetectable.

1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' 
missing on SBD source.  Patched 1:06.065 using the AUD.  This 
patch was EQ'ed & levels raised +3db.  Source change from 
SBD to AUD is obvious to the listener.

Billed as "Formerly The Warlocks"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72

---------------------------------------------------------

Source 8 of 25

Lineage: SBD > PCM (analog output) > D > D > D > D

SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

gd89-10-09.sbd.paino.2276.sbeok.shnf

View NotesLineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

Source 9 of 25

SBD> CASS(x)> DAT> CDR> EAC> SHN

Scott Clugston and Charlie Miller

View NotesSBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com

Taper: Ted Mattes

gd1989-10-09.142510.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

gd1989-10-09.158308.mtx.seamons.ht144.flac16

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 2, 2018

Source 11 of 25

Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 9, 2022

View NotesNotes:

The cassette master soundboard patches were pitch corrected: Little Red Rooster, Ramble On Rose, Jack-A-Roe, Memphis Blues, and Row Jimmy.

Clicks and pops removed throughout the SBD recording.

A tonal shift occurs at the beginning of Memphis Blues in the SBD.

No EQ done for this matrix.

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:55:40

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1989-10-09.154043.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 21-OCT-2021 - Trader Little Helper
- Tagged 21-OCT-2021 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Lance Deal

Lance Deal and jwpetty

gd1989-10-09.131003.cmc521.fob.deal.flac16

Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1;

Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)

Taper: Ted Mattes

Lenny Stubbe and Craig Hillwig

gd1989-10-09.125738.mk4.flac16

Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Lenny Stubbe and Craig Hillwig

View Notes- show billed as "Formerly The Warlocks"
- Dark Star last time played 07/13/1984 (359 shows)
- Attics of My Life last time played 10/28/1972 (1082 shows)
- This version of Feel Like A Stranger appears on the official release "Without A Net"
- power supply and DAT deck in the gear chain are unconfirmed
- 48khz version exists

Seeded to etree on:

09/22/2013

Taper: Ted Mattes

gd1989-10-09.125737.mk4.48khz.flac16

<b>flac16/48kHz</b>; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

View Notes- show billed as "Formerly The Warlocks"
- Dark Star last time played 07/13/1984 (359 shows)
- Attics of My Life last time played 10/28/1972 (1082 shows)
- This version of Feel Like A Stranger appears on the official release "Without A Net"
- power supply and DAT deck in the gear chain are unconfirmed
- 44.1khz version exists

Seeded to etree on:

09/22/2013

Taper: Alabama Bob,Mr. Currier

2:55:22

Taper:

Alabama Bob,Mr. Currier

Keo

gd1989-10-09.120404.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac1644

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

View Notes* Added From Ted Carpenter's Nak300/CP4>Sony-TC-D5M>Maxell MX-90's
    Thanks Ted and Andrew for the missing songs! *

 Comments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There were a few cuts
one from the first set tape flip and a couple in the
end of the "Jam" and in "Drums" and at the end of 
"Throwing Stones" and this set of masters was missing 
"Good Lovin and Attics". I chose to leave the 24/96 
"As Is",this 16/44 bit was patched from Ted Carpenter's
Nak 300/CP4 recording for the missing songs only.I 
beleive in the near future I will get the chance to 
work on the Nak 550 masters from the lead deck down 
the line as well!Even though some cuts exist the "Meat" 
of this transfer shines and a True Honor to work on!
Thanks Gentlemen!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

Taper: Alabama Bob,Mr. Currier

Alabama Bob,Mr. Currier

Keo

gd1989-10-09.120403.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac2496

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

View NotesComments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There were a few cuts
one from the first set tape flip and a couple in the
end of the "Jam" and in "Drums" and at the end of 
"Throwing Stones" and this set of masters was  missing 
"Good Lovin and Attics". I chose to leave this 24/96 
transfer "As Is".I beleive in the near future I will 
get the chance to work on the Nak 550 masters from 
the lead deck down the line as well!Even though some 
cuts exist the "Meat" of this transfer shines and a 
True Honor to work on!Thanks Gentlemen!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

Transferrer: Jeff Bowen;Brad Foster

3:04:21

Jeff Bowen;Brad Foster

gd1989-10-09.nak300.juteau.116646.flac

Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;

DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster

gd1989-10-09.mtx.dts.haugh.92005.flac16

View NotesNotes:
- Billed as 'Formerly The Warlocks.'
- Dark Star LTP = 1984-07-13.
- Attics Of My Life LTP = 1972-10-28.
- One sec. spot of digi-noise during s2t05 Dark Star at [12:53].
- Tracked by set, burn to disc however you please.


-- Thanks to Gene for sharing his master!
Thanks to Jeff for sharing his transfer!
All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set.
Log and cue files included.
Enjoy!

Source 19 of 25

Taper: See Notes

Three Source DTS-Audio-CD 5.1 Mix

Taper: Ted Carpenter

gd1989-10-09.nak304.carpenter.89563.sbeok.flac16

Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

gd1989-10-09.aud.robr.31211.sbeok.shnf

View Notes- ShnID-443 patches cover the 2nd set tape-flips, as follows: 
- Dark Star 18:28 > 18:32, and Good Lovin' 0:10 > 0:21. 
- Second set disc break is seamless. 
- Soundforge used to make fades, add patches, and adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.

Taper: Rob R

3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn

Transferrer: Dan Haugh

gd1989-10-09.dts.dan.26235.sbeok.shnf

DTS-Audio-CD 5.1 Mix

gd1989-10-09.aud.fishman.17704.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: PCM (analog out) > DAT x 4 > CDR

AUD
FOB: Schoeps CMC641 > DAT 

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Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume
for the AUD source, center and LFE channels.  Surcode CD 
Pro DTS was used to encode to DTS.  
- Mixed by dan@am-dig.com
- Shn conversion 8-SEP-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
- Special thanks to "For Your Eyes Only" for images used
in this artwork.

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DTS-Audio-CD Info

Front Left 	Left Channel SBD: PCM (analog out) > DAT 
Front Right 	Right Channel SBD: PCM (analog out) > DAT  
Center 		Mono Mix -5db SBD: PCM (analog out) > DAT 
Surround Left	Left Channel FOB: Schoeps CMC641 > DAT
Surround Right	Right Channel FOB: Schoeps CMC641 > DAT
Sub/LFE 	Mono Mix -4db SBD: PCM (analog out) > DAT 

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Notes

I performed a 'light NR' to the SBD source.

Disc 2 and 3 can be assembled seamlessly on longer media.

38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on 
SBD source.  Patched 25.117 using the AUD.  This patch was 
EQ'ed & levels raised +3db.  Source change from SBD to
AUD is obvious to the listener.

48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.400 seconds of left channel.  The result is smooth and 
most likely undetectable.

49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.510 seconds of left channel.  The result is smooth and 
most likely undetectable.

50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.113 seconds of left channel.  The result is smooth and 
most likely undetectable.

Between Jack-A-Roe and Memphis Blues the AUD was missing
37.221 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

59:52.730 - 59:59.107 Drums missing on SBD source.  Patched 
6.377 using the AUD.  This patch was EQ'ed & levels raised 
+3db.  The result is smooth and most likely undetectable.

1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' 
missing on SBD source.  Patched 1:06.065 using the AUD.  This 
patch was EQ'ed & levels raised +3db.  Source change from 
SBD to AUD is obvious to the listener.

Billed as "Formerly The Warlocks"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72

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More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and put a 5.1 surround recording on a regular 
Audio-CD.  To play a DTS-Audio-CD you must connect your 
DVD/CD player via a digital cable (optical or coaxial) to 
your DTS Dolby-Digital receiver. It is not 100% sure that 
your receiver will recognize a DTS-Audio CD, so the first 
time you're trying to playback a DTS-Audio-CD you must do 
a test to determine if it can. Begin with the volume very 
low, start the disc and rise the volume gradually. NEVER 
listen to a DTS-Audio-CD through the analog audio outputs 
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way you would burn any normal 
Audio-CD from .shn files.

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Transferrer: JR Fishman

Schoeps CMC421>DAT>CD>EAC>ADDAWAV>CDWav>WAV>SHN (FOB)

gd89-10-09.schoeps.howland.443.sbeok.shnf

View NotesRecording Notes
------------------------
This is a slightly boomy but a very good recording of the classic 2nd "stealth show" from  the 2 nite Hampton 10/89 mini-run.  Some minor retracking of the original CD's was done with ADDAWAV/CDWAV from a copy burned in 1998 using a Fostex D-10 STudio DAT Standalone hhb CD recorder.  All CD's can be placed back together on one contiguous medium (DAT, DVD-R)

Music  Notes 
------------------
* -  The tracking for UJB is correct / Garcia was offkey for the 1st few notes of Uncle's Johns Band
(1) - A slightly amusing loud woman (nearing an auditory orgasm) is heard prominently during the 1st 2 minutes of Dark Star

All conversions done by 
JR Fishman 
fishmanj_98@yahoo.com
NY, NY

Source 25 of 25

Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav>WAV > SHN