Looks Like Rain > | 1986-03-25 | Grateful Dead

Yonder Mountain String Band

The War on Drugs

Playback	Listens	Hours
48h	75	9
7d	308	30
30d	1k	105

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	6	49m
30d	41	8

Playback	Listens	Hours
48h	97	9
7d	148	13
30d	1.1k	108

Playback	Listens	Hours
48h	68	5
7d	147	10
30d	894	60

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	256	34
7d	935	132
30d	5.8k	832

Playback	Listens	Hours
48h	16	2
7d	32	3
30d	126	12

Playback	Listens	Hours
48h	77	13
7d	310	48
30d	1.7k	263

Playback	Listens	Hours
48h	515	75
7d	1.6k	252
30d	5.8k	867

Playback	Listens	Hours
48h	6	31m
7d	49	3
30d	222	18

Playback	Listens	Hours
48h	98	7
7d	239	18
30d	1.3k	95

Playback	Listens	Hours
48h	1.2k	94
7d	2.8k	218
30d	14.3k	1.2k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	6	24m
7d	7	27m
30d	61	5

Playback	Listens	Hours
48h	15.1k	1.8k
7d	38k	4.6k
30d	183.5k	21.8k

2,541 shows

4,194 tapes

Yes

Playback	Listens	Hours
48h	8	1
7d	203	31
30d	1k	154

1,416 shows

2,242 tapes

11.8k

Playback	Listens	Hours
48h	671	63
7d	1.9k	180
30d	11.8k	1.1k

Playback	Listens	Hours
48h	64	11
7d	199	33
30d	1.5k	248

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	119	21
7d	234	45
30d	1.4k	241

462 shows

669 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	6m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.5k	193
7d	11.5k	1.5k
30d	30.8k	4.1k

Playback	Listens	Hours
48h	566	82
7d	1.4k	195
30d	20.2k	2.9k

Playback	Listens	Hours
48h	726	98
7d	2.1k	282
30d	25.6k	3.4k

Playback	Listens	Hours
48h	527	67
7d	1.2k	153
30d	26.6k	3.3k

Playback	Listens	Hours
48h	1.2k	161
7d	3k	406
30d	37.3k	5k

Playback	Listens	Hours
48h	8.1k	979
7d	20.6k	2.8k
30d	72.7k	9.7k

Playback	Listens	Hours
48h	8.3k	1k
7d	27.8k	3.7k
30d	86.4k	11k

Playback	Listens	Hours
48h	1.8k	214
7d	3.6k	426
30d	46.5k	5.5k

Playback	Listens	Hours
48h	5.1k	558
7d	18k	2.1k
30d	68.9k	7.9k

Playback	Listens	Hours
48h	532	60
7d	4k	451
30d	23.2k	2.6k

Playback	Listens	Hours
48h	1.9k	216
7d	3.8k	445
30d	62.9k	7.3k

Playback	Listens	Hours
48h	1.1k	142
7d	9.2k	1.1k
30d	46.6k	5.8k

Playback	Listens	Hours
48h	1.2k	150
7d	3.5k	441
30d	33k	4.3k

Playback	Listens	Hours
48h	1.4k	175
7d	2.7k	342
30d	18.3k	2.3k

Playback	Listens	Hours
48h	9.3k	1.2k
7d	13.3k	1.6k
30d	45.4k	5.6k

Playback	Listens	Hours
48h	2.1k	236
7d	4.8k	554
30d	50.2k	5.9k

Playback	Listens	Hours
48h	2.1k	266
7d	3.3k	466
30d	24.9k	3.5k

Playback	Listens	Hours
48h	3.6k	477
7d	20.6k	2.7k
30d	56.2k	7.4k

Playback	Listens	Hours
48h	7k	980
7d	14.7k	2.1k
30d	102.6k	14.3k

Playback	Listens	Hours
48h	4.8k	631
7d	8.7k	1.2k
30d	114.9k	15.5k

Playback	Listens	Hours
48h	239	24
7d	518	52
30d	5.5k	577

Playback	Listens	Hours
48h	3.7k	481
7d	8.8k	1.1k
30d	96.7k	12.6k

Playback	Listens	Hours
48h	3.6k	469
7d	8.7k	1.1k
30d	74.8k	9.7k

Playback	Listens	Hours
48h	2.6k	327
7d	5.7k	701
30d	37.6k	4.7k

Playback	Listens	Hours
48h	1.3k	145
7d	4.2k	477
30d	31.3k	3.5k

Playback	Listens	Hours
48h	3.6k	327
7d	4.3k	452
30d	23.5k	2.6k

Playback	Listens	Hours
48h	2.5k	278
7d	3.8k	656
30d	21.6k	3.1k

Playback	Listens	Hours
48h	293	40
7d	1.1k	143
30d	5.9k	765

Playback	Listens	Hours
48h	82	11
7d	324	47
30d	2.1k	296

Playback	Listens	Hours
48h	312	17
7d	835	57
30d	5.4k	389

Playback	Listens	Hours
48h	19	1
7d	65	4
30d	437	26

2 shows

2 tapes

1986

12/31SBD

201

Playback	Listens	Hours
48h	23	2
7d	67	8
30d	201	24

3:08:48

13 tapes

12/30SBD

392

Playback	Listens	Hours
48h	36	4
7d	41	5
30d	392	44

2:59:23

12/28SBD

164

Playback	Listens	Hours
48h	15	2
7d	4	37m
30d	164	19

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

443

Playback	Listens	Hours
48h	8	40m
7d	66	7
30d	443	43

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

287

Playback	Listens	Hours
48h	8	57m
7d	64	7
30d	287	34

2:59:59

25 tapes

12/16SBD

181

Playback	Listens	Hours
48h	0	0m
7d	51	6
30d	181	21

2:56:06

Oakland-Alameda County Coliseum

12/15SBD

Alpine Valley Music Theatre

601

Playback	Listens	Hours
48h	44	5
7d	133	15
30d	601	69

Playback	Listens	Hours
48h	2	11m
7d	19	2
30d	36	3

Playback	Listens	Hours
48h	34	4
7d	826	98
30d	1.1k	124

Playback	Listens	Hours
48h	39	4
7d	1.5k	162
30d	1.7k	190

Playback	Listens	Hours
48h	33	3
7d	252	25
30d	2.4k	239

1:53:56

15 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

1.4k

Playback	Listens	Hours
48h	20	2
7d	110	11
30d	1.4k	138

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

739

Playback	Listens	Hours
48h	4	27m
7d	29	3
30d	739	83

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

2.9k

Playback	Listens	Hours
48h	7	31m
7d	72	8
30d	2.9k	307

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

1.2k

Playback	Listens	Hours
48h	4	33m
7d	23	3
30d	1.2k	133

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

391

Playback	Listens	Hours
48h	11	1
7d	38	4
30d	391	44

Playback	Listens	Hours
48h	0	0m
7d	31	3
30d	1.4k	151

Playback	Listens	Hours
48h	6	38m
7d	26	3
30d	771	85

Playback	Listens	Hours
48h	15	2
7d	33	4
30d	719	80

Playback	Listens	Hours
48h	0	0m
7d	52	6
30d	308	34

Playback	Listens	Hours
48h	9	1
7d	22	3
30d	434	58

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	143	15

Playback	Listens	Hours
48h	4	29m
7d	30	4
30d	233	27

2:13:36

8 tapes

4/22SBD

173

Playback	Listens	Hours
48h	14	2
7d	9	1
30d	173	22

2:27:50

6 tapes

4/21SBD

135

Playback	Listens	Hours
48h	8	57m
7d	15	2
30d	135	17

2:25:24

6 tapes

4/19SBD

412

Playback	Listens	Hours
48h	13	2
7d	17	2
30d	412	52

2:06:15

7 tapes

4/18SBD

112

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	112	13

Playback	Listens	Hours
48h	0	0m
7d	38	5
30d	212	27

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	176	21

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

132

Playback	Listens	Hours
48h	4	23m
7d	8	39m
30d	132	14

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

116

Playback	Listens	Hours
48h	14	2
7d	30	4
30d	116	14

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

Playback	Listens	Hours
48h	10	1
7d	11	2
30d	97	13

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

317

Playback	Listens	Hours
48h	1	10m
7d	33	4
30d	317	36

2:08:56

Cumberland County Civic Center

3/30SBD

Providence Civic Center

Providence, RI, USA

150

Playback	Listens	Hours
48h	3	20m
7d	18	2
30d	150	17

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

169

Playback	Listens	Hours
48h	2	10m
7d	17	2
30d	169	18

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

221

Playback	Listens	Hours
48h	7	37m
7d	46	5
30d	221	25

Philadelphia, PA, USA

172

Playback	Listens	Hours
48h	15	2
7d	34	4
30d	172	20

Philadelphia, PA, USA

200

Playback	Listens	Hours
48h	3	23m
7d	58	6
30d	200	21

Philadelphia, PA, USA

185

Playback	Listens	Hours
48h	16	2
7d	22	3
30d	185	22

Playback	Listens	Hours
48h	2	19m
7d	13	2
30d	323	41

Playback	Listens	Hours
48h	21	3
7d	9	1
30d	164	21

Playback	Listens	Hours
48h	9	46m
7d	1	7m
30d	98	9

2:30:35

25 tapes

2/14SBD

824

Playback	Listens	Hours
48h	8	1
7d	30	3
30d	824	94

4:31:43

12 tapes

2/12SBD

191

Playback	Listens	Hours
48h	14	2
7d	42	5
30d	191	24

2:54:33

10 tapes

2/11SBD

107

Playback	Listens	Hours
48h	0	0m
7d	31	4
30d	107	12

2:17:07

14 tapes

2/09SBD

Playback	Listens	Hours
48h	19	2
7d	6	32m
30d	73	8

2:01:34

9 tapes

2/08SBD

Scott Clugston, Charlie Miller

382

Playback	Listens	Hours
48h	3	23m
7d	49	5
30d	382	40

2:27:10

7 tapes

Sources

Taper: Dougal Donaldson

gd1986-03-25.176167.sbd.donaldson.miller.clugston.flac1648

Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Dougal Donaldson for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space"
- Debut of "Desolation Row"
- All soundboard sources in general circulation derive from this source
- Pitch corrected

Mastered by Scott Clugston
January 2026

Taper: Dougal Donaldson

gd1986-03-25.176166.sbd.donaldson.miller.clugston.flac2496

Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496

View NotesNotes:
- Thanks to Dougal Donaldson for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space"
- Debut of "Desolation Row"
- All soundboard sources in general circulation derive from this source
- Pitch corrected

Mastered by Scott Clugston
January 2026

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:14:51

SBD

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

gd1986-03-25.145620.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1986-03-25.145618.PandP-sbd.tobin.flac16

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-MAR-2019 - Trader Little Helper
- Tagged 09-MAR-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

Patched and pitch corrected soundboard (44/16)

gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf

View NotesPatches during start of Desolation Row and close to the end of Drums. This recording was extremely fast - about 1 second per minute

Brokedown House Production

Source 5 of 24

Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9404">Braverman</a> seed

View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9404" rel="ugc nofollow">Braverman</a> seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start

Transferrer: Rob Harrison and Peter Braverman

2:14:02

SBD

Rob Harrison and Peter Braverman

gd1986-03-25.sbd.braverman.9404.shnf

Soundboard

Master Cassette> DAT> CD> SHN

Scott Clugston, Charlie Miller

View NotesKnown flaws:

Desolation Row cuts in abruptly at the vocal, the result of a tape flip.

Thanks to Rob Harrison for the discs. Seeded by Peter Braverman
(braverman@earthlink.net), May 2002.

Taper: Stephen Thomas

gd1986-03-25.172644.nak304.thomas.miller.clugston.flac2496

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Michael Hessberg for the Sennheiser ME80 source which supplies a 0:17 patch in the "Desolation Row > Don't Ease Me In" transition, as well as a 0:27 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
May 2022

Taper: Ted Mattes

gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Ted Mattes for the master cassettes
- Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08)
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
December 2019

Taper: Ted Mattes

gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644

View NotesNotes:
- Thanks to Ted Mattes for the master cassettes
- Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08)
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
December 2019

Transferrer: Charlie Miller

Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller

DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

View Notes- DAT clone of Bryant's master
- Hints of Revolutionary Hamstrung Blues after hints of IMBTR after CC Rider
- Starting out the second set, Healy invites a little chaos.
- Phil, he's going back to Cuernavaca.
- Bob musta got some, he thanks Philly (once again).

Source 11 of 24

2:11:16

gd1986-03-25.172643.nak304.thomas.miller.clugston.flac1648

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

Kyle Holbrook

gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

View Notesnote:
++ Bobby says before they start playing, "This next one is in the key of F...I think"
## First time played
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

2:13:29

Taper:

Kyle Holbrook

gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View Notesnote:
++ Bobby says before they start playing, "This next one is in the key of F...I think"
## First time played
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1986-03-25.145624.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1986-03-25.145619.PandP-aud.tobin.flac16

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-MAR-2019 - Trader Little Helper
- Tagged 09-MAR-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

Patched and pitch corrected audience (44/16)

gd1986-03-25.127540.chasingwilma.flac24

View NotesPatched during close to the end of Drums. This recording was fairly fast - about .7 second per minute

Brokedown House Production

Taper: chasingwilma

source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: D5scott

gd1986-03-25.117825.BeyerM160.d5scott.flac16

Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes;

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16

View Notesnote:
* There are gaps that are filled in with this alternative source: 
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Mark McCue

MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford

Jon Pasternak and Dave Mallick

View NotesComments:

- * First time played


Notes:

- Set One tape flip patched with shnid 3188 (Beyer Dynamic M88 > Sony TC-D5M)
- Set Two tape flip patched with shnid 102169 (Nakamichi cm 100's w/shotguns > Sony TC-D5) 
- SBE Free. Files meta tagged with Tag&Rename. All editing and mastering with UAD-1 in 24/88.2.

Taper: Jon Pasternak

gd1986-03-25.nak300.pasternak.mallick.105580.flac16

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

Taper: Greg Holtz

gd1986-03-25.nak100.holtz.jaz.102169.flac16

2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

Taper: Joe D'Amico

gd1986-03-25.nak300.damico.87672.flac16

nak 300 mics w/ cp4 shotguns

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

Taper: Brian Mandel

gd1986-03-25.nak300.mandel.80002.shnf

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16

View NotesNote - Disc1  Flip after It Must Have Been the Roses

Note - Disc 2 goes over 80 minutes, you can either move the encore or tuning/space to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start .
flip - after Drums/Space

Taper: Tony Suraci

Nak CM304's>Sony D5

Nak CR5A>Lunatec V3>SD722

gd86-03-25.beyer.connor.3188.sbeok.shnf

View Notes# first Desolation Row, also a tape flip at the 9:42 mark.
* Recorded from directly behind SBD, very close to center.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

Source 24 of 24

AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (