Tuning | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	77.2k	9.9k
7d	234.7k	29.5k
30d	1.3M	168.1k

2,080 shows

18,081 tapes

Phish

275.8k

Playback	Listens	Hours
48h	19.1k	2.9k
7d	47.2k	7.2k
30d	275.8k	42.6k

Bands

Playback	Listens	Hours
48h	59	4
7d	164	11
30d	824	54

Playback	Listens	Hours
48h	20	3
7d	27	4
30d	148	23

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	2	8m
7d	20	2
30d	25	2

Playback	Listens	Hours
48h	7	2
7d	11	3
30d	159	28

84 shows

117 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	5	37m

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	34	4

Playback	Listens	Hours
48h	26	2
7d	37	3
30d	148	12

Playback	Listens	Hours
48h	48	4
7d	83	7
30d	443	38

Playback	Listens	Hours
48h	5	59m
7d	40	4
30d	315	37

123 shows

134 tapes

Animal Liberation Orchestra

1.2k

Playback	Listens	Hours
48h	76	9
7d	198	24
30d	1.2k	145

Playback	Listens	Hours
48h	7	1
7d	40	8
30d	177	36

Playback	Listens	Hours
48h	72	7
7d	129	12
30d	935	90

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	161	30

Playback	Listens	Hours
48h	63	7
7d	121	15
30d	659	83

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	100	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.6k

Playback	Listens	Hours
48h	17	3
7d	277	33
30d	1.6k	196

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	5	35m
7d	10	58m
30d	148	19

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	28	4
30d	65	11

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	1	24m
30d	28	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	3	25m
30d	53	8

Playback	Listens	Hours
48h	13	2
7d	69	11
30d	555	81

Playback	Listens	Hours
48h	128	18
7d	355	48
30d	1.9k	260

Playback	Listens	Hours
48h	5.8k	580
7d	14.1k	1.4k
30d	84.9k	8.5k

Playback	Listens	Hours
48h	47	3
7d	198	14
30d	1.5k	101

62 shows

76 tapes

Blueground Undergrass

107

Playback	Listens	Hours
48h	0	0m
7d	5	27m
30d	107	9

Playback	Listens	Hours
48h	140	17
7d	517	58
30d	2.4k	267

Playback	Listens	Hours
48h	273	32
7d	688	90
30d	4.8k	624

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	1	53m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	65	9
7d	170	29
30d	833	141

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	6

Playback	Listens	Hours
48h	28	3
7d	138	15
30d	1.1k	103

Playback	Listens	Hours
48h	152	16
7d	454	46
30d	1.6k	167

Playback	Listens	Hours
48h	7	17m
7d	36	2
30d	355	19

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	205	27

Playback	Listens	Hours
48h	15	59m
7d	60	4
30d	243	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	45m
30d	6	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	27	2
30d	75	9

79 shows

93 tapes

Circles Around The Sun

1.8k

Playback	Listens	Hours
48h	98	21
7d	260	58
30d	1.8k	377

Playback	Listens	Hours
48h	7	1
7d	24	5
30d	161	29

Playback	Listens	Hours
48h	53	5
7d	76	6
30d	864	73

Playback	Listens	Hours
48h	14	3
7d	39	7
30d	529	82

Playback	Listens	Hours
48h	348	46
7d	1.1k	165
30d	4.9k	675

Playback	Listens	Hours
48h	382	49
7d	999	135
30d	6.3k	864

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	46m
30d	24	6

Playback	Listens	Hours
48h	12	1
7d	81	8
30d	233	22

Playback	Listens	Hours
48h	2.2k	349
7d	8.5k	1.3k
30d	40.7k	6.5k

Playback	Listens	Hours
48h	14	2
7d	76	8
30d	389	43

Playback	Listens	Hours
48h	48	3
7d	316	19
30d	1.4k	84

Playback	Listens	Hours
48h	102	13
7d	262	32
30d	1.4k	169

Playback	Listens	Hours
48h	889	183
7d	2.1k	414
30d	12.5k	2.6k

Playback	Listens	Hours
48h	32	3
7d	41	4
30d	279	29

Playback	Listens	Hours
48h	193	27
7d	445	67
30d	3.2k	499

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	13	3
7d	9	1
30d	81	18

Playback	Listens	Hours
48h	217	23
7d	423	44
30d	1.7k	182

Playback	Listens	Hours
48h	16	2
7d	35	5
30d	216	35

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	134	12
7d	586	50
30d	3k	263

Playback	Listens	Hours
48h	29	4
7d	66	11
30d	405	68

Playback	Listens	Hours
48h	1	11m
7d	13	2
30d	155	22

Playback	Listens	Hours
48h	122	22
7d	280	52
30d	1.7k	293

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	118	17
7d	403	55
30d	1.8k	244

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	4	1
7d	2	52m
30d	15	6

Playback	Listens	Hours
48h	153	8
7d	230	13
30d	929	50

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	10	1
7d	0	0m
30d	95	13

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	5	43m
30d	18	3

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	2	14m
7d	2	14m
30d	49	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	9	52m
7d	12	1
30d	265	24

Playback	Listens	Hours
48h	20	1
7d	8	24m
30d	104	7

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	184	14

Playback	Listens	Hours
48h	1	3m
7d	11	40m
30d	115	7

Playback	Listens	Hours
48h	664	101
7d	1.9k	293
30d	9.7k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

630

Playback	Listens	Hours
48h	6	20m
7d	93	8
30d	630	56

Playback	Listens	Hours
48h	181	23
7d	278	31
30d	1.2k	139

Playback	Listens	Hours
48h	11	3
7d	17	4
30d	134	18

Playback	Listens	Hours
48h	10	2
7d	18	3
30d	184	37

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	3	19m
7d	4	3
30d	33	11

Playback	Listens	Hours
48h	128	14
7d	265	32
30d	1.3k	156

374 shows

509 tapes

Godspeed You Black Emperor!

376

Playback	Listens	Hours
48h	27	6
7d	50	13
30d	376	108

Playback	Listens	Hours
48h	0	0m
7d	7	54m
30d	100	11

Playback	Listens	Hours
48h	4.3k	972
7d	11.9k	2.6k
30d	54.6k	11.7k

Playback	Listens	Hours
48h	9	35m
7d	27	2
30d	305	27

363 shows

589 tapes

Grahame Lesh and Friends

1.8k

Playback	Listens	Hours
48h	72	11
7d	322	46
30d	1.8k	257

Playback	Listens	Hours
48h	27	4
7d	32	4
30d	158	21

Playback	Listens	Hours
48h	235	27
7d	854	103
30d	5.9k	705

Playback	Listens	Hours
48h	15	1
7d	99	13
30d	940	108

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	49	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	18	3

Playback	Listens	Hours
48h	66	5
7d	84	6
30d	361	25

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	3	23m
7d	9	40m
30d	93	10

Playback	Listens	Hours
48h	9	2
7d	81	12
30d	346	56

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	5	31m
30d	62	6

Playback	Listens	Hours
48h	27	3
7d	44	5
30d	212	21

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	177	17
7d	231	21
30d	1.2k	112

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	320	22
7d	869	58
30d	4.8k	323

Playback	Listens	Hours
48h	28	2
7d	47	4
30d	296	30

365 shows

492 tapes

Jazz Mandolin Project

111

Playback	Listens	Hours
48h	12	2
7d	33	6
30d	111	19

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	95	9

12 shows

14 tapes

Jeff Austin And Friends

161

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	161	17

Playback	Listens	Hours
48h	28	4
7d	228	27
30d	1.4k	184

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.3k

Playback	Listens	Hours
48h	106	21
7d	379	66
30d	2.3k	397

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.6k

Playback	Listens	Hours
48h	176	22
7d	749	98
30d	3.6k	486

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	9m
7d	15	2
30d	29	4

2 shows

5 tapes

Joe Russo's Almost Dead

39.7k

Playback	Listens	Hours
48h	1.7k	313
7d	5.4k	986
30d	39.7k	7.5k

Playback	Listens	Hours
48h	15	2
7d	124	12
30d	765	84

Playback	Listens	Hours
48h	163	13
7d	410	35
30d	2.5k	222

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	42	5

Playback	Listens	Hours
48h	1	3m
7d	21	1
30d	132	9

Playback	Listens	Hours
48h	16	1
7d	22	2
30d	113	11

73 shows

109 tapes

Karl Denson's Tiny Universe

148

Playback	Listens	Hours
48h	2	54m
7d	8	57m
30d	148	22

Playback	Listens	Hours
48h	140	14
7d	541	58
30d	4.2k	412

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	32	4
7d	22	4
30d	78	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16k

Playback	Listens	Hours
48h	1.1k	149
7d	2.7k	353
30d	16k	2.1k

211 shows

442 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	175	20
7d	352	47
30d	2k	272

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	49	7

Playback	Listens	Hours
48h	20	6
7d	107	21
30d	593	116

Playback	Listens	Hours
48h	10	1
7d	87	10
30d	703	83

Playback	Listens	Hours
48h	191	19
7d	579	57
30d	3.7k	342

979 shows

1,317 tapes

Lettuce

Playback	Listens	Hours
48h	147	23
7d	418	64
30d	3k	498

Playback	Listens	Hours
48h	233	23
7d	1k	94
30d	5.3k	485

Playback	Listens	Hours
48h	71	5
7d	224	16
30d	1.4k	105

Playback	Listens	Hours
48h	34	7
7d	298	57
30d	1.6k	302

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	4	25m
7d	18	1
30d	60	5

Playback	Listens	Hours
48h	123	11
7d	316	29
30d	2.1k	192

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	217	23

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	158	27
7d	553	90
30d	3.6k	563

Playback	Listens	Hours
48h	27	1
7d	21	1
30d	325	21

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	183	18

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	2	4m
7d	7	16m
30d	78	2

Playback	Listens	Hours
48h	95	7
7d	155	11
30d	892	61

Playback	Listens	Hours
48h	690	118
7d	1.7k	296
30d	10.1k	1.7k

1,990 shows

4,497 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	38	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	1	4m
7d	3	16m
30d	89	8

Playback	Listens	Hours
48h	127	13
7d	679	69
30d	4.2k	433

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	57	5

Playback	Listens	Hours
48h	44	7
7d	140	17
30d	601	83

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	46	8

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	46	4
7d	341	30
30d	1.7k	146

410 shows

598 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	70	6
7d	155	15
30d	1.3k	123

Playback	Listens	Hours
48h	9	1
7d	191	21
30d	963	102

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	0	0m
7d	27	4
30d	152	28

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	30	5
7d	27	4
30d	76	11

Playback	Listens	Hours
48h	70	14
7d	192	34
30d	1.3k	248

689 shows

920 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	1.2k	214
7d	3k	520
30d	15.4k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	121	18
7d	234	39
30d	2k	311

Playback	Listens	Hours
48h	232	34
7d	650	83
30d	4.4k	554

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	300	40
7d	601	78
30d	4k	529

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	44	7
7d	70	10
30d	495	66

Playback	Listens	Hours
48h	474	63
7d	1.3k	176
30d	7.2k	938

Playback	Listens	Hours
48h	88	6
7d	188	17
30d	1.7k	136

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	65	5
7d	197	17
30d	2k	161

Playback	Listens	Hours
48h	152	13
7d	301	26
30d	2.1k	180

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	3	55m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	206	19
7d	666	63
30d	3.9k	371

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	18	2
7d	7	45m
30d	50	6

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	65	9

Playback	Listens	Hours
48h	1	7m
7d	11	1
30d	120	13

91 shows

96 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	75	7
7d	171	14
30d	1k	83

Playback	Listens	Hours
48h	208	31
7d	488	75
30d	2.9k	442

Playback	Listens	Hours
48h	85	18
7d	165	36
30d	1.3k	314

Playback	Listens	Hours
48h	17	55m
7d	66	4
30d	297	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	1	11m
7d	76	14
30d	682	111

Playback	Listens	Hours
48h	127	30
7d	315	72
30d	1.8k	407

Playback	Listens	Hours
48h	87	10
7d	254	30
30d	1.3k	179

667 shows

1,139 tapes

String Cheese Incident

20k

Playback	Listens	Hours
48h	1.1k	181
7d	2.8k	446
30d	20k	3.3k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	18	2
7d	16	2
30d	90	10

Playback	Listens	Hours
48h	6	1
7d	19	3
30d	171	31

Playback	Listens	Hours
48h	20	3
7d	29	3
30d	160	20

Playback	Listens	Hours
48h	48	5
7d	89	10
30d	728	80

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	788	86
7d	2.2k	244
30d	12.5k	1.5k

Playback	Listens	Hours
48h	39	2
7d	69	4
30d	232	12

Playback	Listens	Hours
48h	116	16
7d	314	40
30d	1.5k	186

Playback	Listens	Hours
48h	12	2
7d	45	7
30d	330	48

473 shows

627 tapes

The California Honeydrops

408

Playback	Listens	Hours
48h	29	4
7d	155	20
30d	408	53

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	155	22
7d	1.1k	153
30d	3.5k	499

Playback	Listens	Hours
48h	27	2
7d	16	1
30d	156	14

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	7	1
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	17	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	3	29m
7d	79	13
30d	384	63

Playback	Listens	Hours
48h	7	46m
7d	26	3
30d	128	16

Playback	Listens	Hours
48h	441	25
7d	709	37
30d	4.1k	221

Playback	Listens	Hours
48h	81	6
7d	99	7
30d	740	52

Playback	Listens	Hours
48h	23	5
7d	34	5
30d	235	44

Playback	Listens	Hours
48h	55	4
7d	177	17
30d	1.1k	114

Playback	Listens	Hours
48h	136	19
7d	546	80
30d	2.2k	313

Playback	Listens	Hours
48h	346	35
7d	1.5k	151
30d	7.4k	721

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	154	11

Playback	Listens	Hours
48h	140	13
7d	192	19
30d	853	88

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	38	8

Playback	Listens	Hours
48h	53	5
7d	100	9
30d	1.1k	121

Playback	Listens	Hours
48h	92	6
7d	79	5
30d	895	60

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	36m

Playback	Listens	Hours
48h	400	56
7d	1k	148
30d	6.3k	912

Playback	Listens	Hours
48h	10	58m
7d	0	0m
30d	110	10

Playback	Listens	Hours
48h	36	7
7d	193	33
30d	1.6k	255

438 shows

728 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	533	81
7d	726	104
30d	5k	738

Playback	Listens	Hours
48h	11	56m
7d	48	3
30d	208	18

Playback	Listens	Hours
48h	94	7
7d	181	13
30d	1.3k	95

Playback	Listens	Hours
48h	1k	77
7d	2.9k	231
30d	13.9k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	56	5

Playback	Listens	Hours
48h	13.8k	1.6k
7d	36k	4.3k
30d	171.1k	20.3k

Playback	Listens	Hours
48h	67	9
7d	253	33
30d	983	143

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.9k

Playback	Listens	Hours
48h	748	72
7d	2.4k	231
30d	11.9k	1.1k

Playback	Listens	Hours
48h	69	11
7d	220	37
30d	1.7k	270

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	56	10
7d	158	26
30d	1.5k	264

461 shows

666 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.4k	184
7d	4.2k	561
30d	21.6k	2.9k

Playback	Listens	Hours
48h	569	80
7d	5.2k	661
30d	22.2k	3.1k

Playback	Listens	Hours
48h	733	96
7d	2.1k	282
30d	29.9k	3.9k

Playback	Listens	Hours
48h	465	61
7d	1.7k	223
30d	32.1k	4.1k

Playback	Listens	Hours
48h	1.1k	145
7d	3.2k	435
30d	44.7k	5.9k

Playback	Listens	Hours
48h	7.5k	1.1k
7d	14.4k	1.9k
30d	71.1k	9.4k

Playback	Listens	Hours
48h	8.5k	1.1k
7d	26.3k	3.2k
30d	66.5k	8.3k

Playback	Listens	Hours
48h	1.1k	139
7d	13.6k	1.7k
30d	46k	5.4k

Playback	Listens	Hours
48h	7.3k	818
7d	13.2k	1.4k
30d	61.9k	7.1k

Playback	Listens	Hours
48h	2.7k	300
7d	6.1k	652
30d	22.6k	2.5k

Playback	Listens	Hours
48h	1.4k	164
7d	8.1k	967
30d	63.6k	7.3k

Playback	Listens	Hours
48h	7.2k	868
7d	13.1k	1.6k
30d	50.6k	6.3k

Playback	Listens	Hours
48h	1.2k	159
7d	3.3k	428
30d	32.9k	4.3k

Playback	Listens	Hours
48h	979	121
7d	3.3k	402
30d	18.7k	2.3k

Playback	Listens	Hours
48h	3.8k	469
7d	19k	2.4k
30d	38.6k	4.8k

Playback	Listens	Hours
48h	1.6k	183
7d	4.3k	501
30d	54.3k	6.4k

Playback	Listens	Hours
48h	1.1k	155
7d	4.3k	601
30d	25.4k	3.5k

Playback	Listens	Hours
48h	6.5k	835
7d	12.8k	1.7k
30d	41.1k	5.4k

Playback	Listens	Hours
48h	5.2k	729
7d	17.8k	2.5k
30d	118.1k	16.4k

Playback	Listens	Hours
48h	3.2k	439
7d	10.8k	1.5k
30d	142.3k	19.1k

Playback	Listens	Hours
48h	179	18
7d	508	56
30d	5.6k	596

Playback	Listens	Hours
48h	3.3k	428
7d	10.5k	1.4k
30d	97.6k	12.7k

Playback	Listens	Hours
48h	3k	383
7d	11.2k	1.4k
30d	85k	11.1k

Playback	Listens	Hours
48h	2.2k	263
7d	6.2k	775
30d	37.7k	4.7k

Playback	Listens	Hours
48h	1.5k	168
7d	8.9k	979
30d	31.3k	3.5k

Playback	Listens	Hours
48h	1.2k	132
7d	2.6k	300
30d	23.1k	2.6k

Playback	Listens	Hours
48h	2k	371
7d	5.1k	657
30d	21.1k	2.9k

Playback	Listens	Hours
48h	423	59
7d	874	115
30d	6.4k	815

Playback	Listens	Hours
48h	137	23
7d	357	49
30d	2.1k	291

Playback	Listens	Hours
48h	357	24
7d	1.7k	121
30d	5.6k	398

Playback	Listens	Hours
48h	26	1
7d	78	5
30d	474	29

1974

Playback	Listens	Hours
48h	4	24m
7d	6	32m
30d	15	1

San Francisco, CA, USA

Playback	Listens	Hours
48h	53	6
7d	148	18
30d	1k	126

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	27	4
7d	230	30
30d	1.2k	150

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	106	17
7d	239	37
30d	1.3k	199

San Francisco, CA, USA

830

Playback	Listens	Hours
48h	143	14
7d	101	10
30d	830	93

San Francisco, CA, USA

435

Playback	Listens	Hours
48h	7	1
7d	69	14
30d	435	78

Playback	Listens	Hours
48h	12	1
7d	12	2
30d	91	14

Playback	Listens	Hours
48h	8	49m
7d	45	6
30d	230	31

Playback	Listens	Hours
48h	89	12
7d	139	19
30d	590	81

Playback	Listens	Hours
48h	0	0m
7d	2	10m
30d	124	18

Playback	Listens	Hours
48h	27	6
7d	243	40
30d	1.1k	203

Playback	Listens	Hours
48h	23	4
7d	41	7
30d	312	56

Playback	Listens	Hours
48h	15	2
7d	5	46m
30d	72	9

Playback	Listens	Hours
48h	91	13
7d	392	51
30d	1.4k	180

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

575

Playback	Listens	Hours
48h	56	8
7d	79	11
30d	575	75

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

614

Playback	Listens	Hours
48h	21	3
7d	71	10
30d	614	87

Playback	Listens	Hours
48h	81	10
7d	256	29
30d	836	101

Playback	Listens	Hours
48h	13	2
7d	143	18
30d	416	52

Playback	Listens	Hours
48h	431	54
7d	159	20
30d	699	88

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

721

Playback	Listens	Hours
48h	90	11
7d	175	20
30d	721	84

Playback	Listens	Hours
48h	40	5
7d	79	10
30d	316	39

Playback	Listens	Hours
48h	107	14
7d	279	39
30d	774	114

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

6.3k

Playback	Listens	Hours
48h	84	12
7d	784	113
30d	6.3k	890

Playback	Listens	Hours
48h	208	30
7d	744	109
30d	7.6k	1.1k

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

9.6k

Playback	Listens	Hours
48h	230	32
7d	770	106
30d	9.6k	1.3k

Playback	Listens	Hours
48h	160	18
7d	754	89
30d	9.3k	1.1k

Playback	Listens	Hours
48h	22	3
7d	147	18
30d	5.1k	572

Playback	Listens	Hours
48h	58	7
7d	149	18
30d	5.8k	662

Playback	Listens	Hours
48h	228	32
7d	735	105
30d	10.4k	1.5k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.6k

Playback	Listens	Hours
48h	78	13
7d	334	47
30d	8.6k	1.3k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

2.2k

Playback	Listens	Hours
48h	19	2
7d	161	22
30d	2.2k	305

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

Playback	Listens	Hours
48h	24	3
7d	142	15
30d	1k	106

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

1.2k

Playback	Listens	Hours
48h	14	2
7d	203	25
30d	1.2k	176

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

Playback	Listens	Hours
48h	240	26
7d	884	98
30d	7k	779

Vancouver, British Columbia, Canada

776

Playback	Listens	Hours
48h	23	2
7d	109	12
30d	776	86

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

Playback	Listens	Hours
48h	84	10
7d	388	50
30d	2k	261

Playback	Listens	Hours
48h	60	7
7d	134	16
30d	590	71

Playback	Listens	Hours
48h	105	12
7d	335	35
30d	2k	226

Playback	Listens	Hours
48h	8	54m
7d	35	3
30d	99	9

San Francisco, CA, USA

1.9k

Playback	Listens	Hours
48h	58	7
7d	259	34
30d	1.9k	264

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	44	4
7d	264	31
30d	1.1k	136

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	57	6
7d	305	32
30d	1.4k	154

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   josh-b@mediaone.net


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: etree@etree.org
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - Owenbrothersvault@hotmail.com
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)